2017, Vol., No.46

日本硏究 2023 KCI Impact Factor : 0.41

pISSN : 1229-6309
https://journal.kci.go.kr/cajjso

A study on analysis on the Kamiichidanka aspects of Yodankatsuyō Verb ("Aku" "Karu" "Shimu" "Taru") in the Saikaku's Ukiyōzōshi The purpose of this study is to investigate the meaning of the Kamiichidanka of Yodankatsuyō Verb which is one of the important facts of Japanese translation in the Kamigata Language of Saikaku’s Ukiyōshōshi. In particular, in comparison with the overall tendency in Edo Language, the word ("Aku" "Karu" "Shimu" "Taru") and the utilization type, Continuation type, cadence and delinquency type), and phase (male and female), and examined the cause of the difference. As a result, we could identify some important facts. (1) By word, Kamiichidanka is proceeding in the order of "Karu"> "Shimu"> "Aku" > "Taru" (2) By conjugation types, Kamiichidanka is in progress in the order of Renyōkei> Shuōshi Rentaikei = cadastral and molluscic type (Mizenkei). (3) By phase, Kamiichidanka is proceeding in the order of female language> male language. In other words, the meaning of the Kamiichidanka of the Yodankatsuyō Verb in Saikaku's Ukiyōshō was varied according to the word, usage type and phase In addition, it is confirmed that the above facts, (1) (2) (3) are also consistent with the trends of Edo language in the late period of the late modern era. In particular, since Ukiyōzōshi is a Kamigata Language data, it can be said that Kamigata Language is a part of the trend. In consideration of this point, Kamigata Language and Edo Language is not a separate issue, but it is likely to be a historical change of Japanese language.

The type of the circumstances reverse of [monowo] The circumstances of [wo], it's caught by the shape that "naka" and "tokoro" of a formal noun touched also, but emphasis is put by an auxiliary verb one in case of "mono". By writing, such, "mono", make the main subject, "nakawo, tokorowo", of the type of the investigation and the sentence pattern of the meaning role which is based on a point of difference, and "monowo". Therefore the object scope of the consideration, "monowo", does the surrounding context put it and turn over focusing on this, it's being analyzed conversantly. circumstances reverse is shown, "monowo", about it's analyzed. The auxiliary verb which functions as mood "mono" and the circumstances are shown, but it was possible to look for the sentence pattern type which is intertwined and becomes semantic interpretation of circumstances reverse each other and understand several systems. Of an auxiliary verb "mono" and the circumstances, that put emphasis on the meaning role and arranged the combination. As a result, the role of the auxiliary verb "mono" is strong by what one should do reverse, the public and inversion, and others are circumstances, it tilted to the one. In other words, "naka, tokoro" of the circumstances that later touches etc. but it's said that there is a common meaning role for the latter. The meaning role of "mono" is more effective, and the former makes the function it doesn't have other formal nouns.

On Semantic Changes(Ⅰ) of the Repetitive Onomatopée with the alternation of hara and horo －With a Focus on Morphological and Semantic Changes of it Uses in the Ancient through Middle Japanese－ This diachronically deals with semantic changes of the repetitive onomatopée with the alternation of hara and horo in the Ancient through Middle Japanese. In the Ancient Japanese, the adjectival base hara was productively derivational as shown in the alternation of hara and horo. Since the late 8th century, morphologically and semantically diverse forms have been derived from hara, whose core meaning was assumed to be san (to scatter). During its derivational process, its auditory sense became a fossilized form in the Middle Japanese. hara originally depicted ‘a situation in which some things are scattered’, which was semantically extended to ‘a motion of something falling off or apart’ and further to ‘a motion of a lump breaking into pieces’, which was again extended to ‘an image of something not controlled’ in the Middle Japanese. And in the Middle Japanese, the alternation of voiceless and voiced consonants shows their respective distinctive characteristics in the auditory aspect, but not yet in the visional aspect. Unlike the derivational meanings of hara, the suffix –ri suggests a different image of ‘people behaving frivolously.’