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@article{ART002315285},
author={hwang suk joo},
title={On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-},
journal={日本硏究},
issn={1229-6309},
year={2018},
number={48},
pages={183-198},
doi={10.20404/jscau.2018.02.48.183}

TY - JOUR
AU - hwang suk joo
TI - On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-
JO - 日本硏究
PY - 2018
VL - null
IS - 48
PB - The Center for Japanese Studies
SP - 183
EP - 198
SN - 1229-6309
AB - The origin of ‘tal’ and ‘omote’ derives from religious rituals, thereby contains a goal within itself, the pursuit of the divinity, and the heteromorphic facial expressions, the fruit of such an attempt. It is a means to visualize supernatural forces, hence the heteromorphic appearances. By successfully conveying such intention, it could equivocally represent secular humane attributes along with divine aspects. This paper will discuss the mask of a piteous old lady who had been abandoned by her family and is leaning towards death away from life. Both masks have distinctive faces unidentifiable as normal, human facial expressions. It is thought to be the result of visualized cogitation to portray secular and divine worlds simultaneously, as well as its religious and shamanistic roots.
KW - Mask;tal;omote;charm;heteromomphy
DO - 10.20404/jscau.2018.02.48.183
ER -

hwang suk joo. (2018). On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-. 日本硏究, 48, 183-198.

hwang suk joo. 2018, "On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-", 日本硏究, no.48, pp.183-198. Available from: doi:10.20404/jscau.2018.02.48.183

hwang suk joo "On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-" 日本硏究 48 pp.183-198 (2018) : 183.

hwang suk joo. On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-. 2018; 48 : 183-198. Available from: doi:10.20404/jscau.2018.02.48.183

hwang suk joo. "On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-" 日本硏究 no.48(2018) : 183-198.doi: 10.20404/jscau.2018.02.48.183

hwang suk joo. On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-. 日本硏究, 48, 183-198. doi: 10.20404/jscau.2018.02.48.183

hwang suk joo. On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-. 日本硏究. 2018; 48 183-198. doi: 10.20404/jscau.2018.02.48.183

hwang suk joo. On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-. 2018; 48 : 183-198. Available from: doi:10.20404/jscau.2018.02.48.183

hwang suk joo. "On consideration of shamanistic properties seen in ‘ubamen’ and ‘miyaruhalmital’ -by focusing on ‘noh,’ ‘obasute,’ and ‘Bongsan mask dance’-" 日本硏究 no.48(2018) : 183-198.doi: 10.20404/jscau.2018.02.48.183