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The Oscillation of the Concept of “Art” and Go Yuseop’s View of Language in Colonial Korea

  • Cross-Cultural Studies
  • 2026, 77(), pp.193~232
  • Publisher : Center for Cross Culture Studies
  • Research Area : Humanities > Literature
  • Received : January 10, 2026
  • Accepted : February 9, 2026
  • Published : February 28, 2026

신은주 1

1Univercity of Tokyo

Accredited

ABSTRACT

This article explores the bilingual writings of Go Yuseop (1905–1944), an art historian active during colonial Korea, to analyze how the modern concept of "art" was shaped within the imperial academic field and the colonial linguistic context. While previous studies have framed Go's art-historical writings as either a nationalist accomplishment or a submission to imperial scholarship, this study reframes his work as a series of practices that adjusted and differentiated the concept of "art" under specific linguistic and epistemic conditions. The article begins by examining Go Yuseop's understanding of language and then compares his writings on Joseon aesthetics in both Korean and Japanese, highlighting how affective expression and conceptual organization differed based on the language used. Further focusing on his studies of pagodas, it illustrates that even within formal scholarly domains, methodological emphases and modes of exposition varied according to publication contexts and academic norms. Instead of viewing Go Yuseop's art history as a closed system, this article advocates for understanding it as a historically situated instance in which the modern concept of "art" was formed and negotiated within a colonial linguistic and institutional framework.

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