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The Conceptual Stances and Backgrounds about Taegeuk Expression of the Projection Mapping at the Opening Ceremony of PyeongChang Winter Olympic -Focused on the mapping image of <Taegeuk: Harmony of The Cosmos>

  • Journal of Communication Design
  • Abbr : JCD
  • 2018, 64(), pp.195-208
  • DOI : 10.25111/jcd.2018.64.15
  • Publisher : CDAK Society of Communication Design
  • Research Area : Arts and Kinesiology > Design > Visual Information Design > Information Design
  • Received : May 30, 2018
  • Accepted : July 25, 2018

Mok, Jin-Yo 1

1홍익대학교

Accredited

ABSTRACT

This research focuses on the conceptual stance and theoretical background of the projection mapping image of the <Taegeuk: Harmony of the Cosmos> performance of the opening ceremony of the PyeongChang Winter Olympics. The conceptual stance of Taegeuk expresses the contradictory claims about Taegeuk and Trigram's origins from China used in Korea national flag, Taegeukgi, and reveals the position of accepting the essence of culture that is transferred and transited through history. Focusing on the theoretical background of the Taegeuk Expression, the principles of Taegeuk and Trigrams, which were expected to be confined to oriental philosophy, envision the same or similar conclusions as diverse disciplines covering East and West. Through this stance and background, we will examine the whole development method and reinterpretation of the projection mapping image of the <Taegeuk: Harmony of the Cosmos> performance.

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