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The feature of the ‘Mun-yi-jae-do’ artistic attitude in Chinese Animation from 1949 to 1966

  • Journal of Communication Design
  • Abbr : JCD
  • 2018, 65(), pp.69-82
  • DOI : 10.25111/jcd.2018.65.05
  • Publisher : CDAK Society of Communication Design
  • Research Area : Arts and Kinesiology > Design > Visual Information Design > Information Design
  • Received : September 2, 2018
  • Accepted : October 29, 2018

Liu, Danya 1 Lee Dong Hun 2

1동서대학교 일반대학원 디자인학과 박사과정
2동서대학교

Accredited

ABSTRACT

From 1949 to 1966, after the new China was established, in order to consolidate newborn regime and erect national image, “proletariat revolutionary education” had become the main way of literary and artistic creation in the new era. In this era, Chinese animation began to produce to form the characteristics of emphasizing the ideological expression and political education from 1949 to1966, but it also made people misunderstand that it was the results of comprehensive containment of Soviet literary thoughts and creative models. In fact, Regardless of the subject matter, narrative, and role, Chinese animations have inherited and developed the ideological characteristics of the "Mun-yi-jae-do" literary view, forming a creative style that is different from the Soviet "dogmatism." The characteristics of "revolutionary hero role", "mythological expression of revolutionary thought" and "unique storytelling narrative mode" in Chinese animation from 1949 to 1966 were the inheritance and development of the "hero role", "mythological story", and "art of storytelling" of the important expression means of traditional art creation after the establishment of the "Mun-yi-jae-do".

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