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2020, Vol.26, No.2

The Critique of Hallyu, or K-Entertainment as a Gendered Meta-narrative—Focusing on Female Fans, Girl Groups, and Young Women
Jinhee Ryu | 2020, 26(2) | pp.9~37 | number of Cited : 6
A Study of Masterplot of Disaster Narrative between Korea, the US and Japan
Park, In-Seong | 2020, 26(2) | pp.39~85 | number of Cited : 4
Playing Trauma—A Study on the Representation of History in Taiwan Horror Game Detention
Juyeon Bae | 2020, 26(2) | pp.87~122 | number of Cited : 3
Why Does Historical Drama Need Romance?—Focused on the Television Drama Mr. Sunshine
YANG GEUNAE | 2020, 26(2) | pp.123~153 | number of Cited : 3
Gender of the Square and Sexuality Politics of ‘Revolution’—1996-2016, Revolutionary Records and Memories
So, Young-Hyun | 2020, 26(2) | pp.157~190 | number of Cited : 1
Coexistence of Everything that Exists—An Imagination about Love of Korean American Immigrant Nakchung THUN
Chon Woohyung | 2020, 26(2) | pp.191~219 | number of Cited : 3
A Study on the Cultural Industrialization and Content Change Direction of Pyeongsari, a Novel ‘Toji (Land)’ Background Space
choi, youhee | 2020, 26(2) | pp.221~247 | number of Cited : 0
The Research Trend and Narrative Expandability of Borderlands Studies in Europe and North America—A Review Article: Globalizing Borderlands Studies in Europe and North America
Kee-Hyun Ban | 2020, 26(2) | pp.251~276 | number of Cited : 1