@article{ART001776623},
author={김지미},
title={Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」)},
journal={Journal of Popular Narrative},
issn={1738-3188},
year={2013},
number={29},
pages={73-113},
doi={10.18856/jpn.2013..29.003}
TY - JOUR
AU - 김지미
TI - Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」)
JO - Journal of Popular Narrative
PY - 2013
VL - null
IS - 29
PB - The Association of Popular Narrative
SP - 73
EP - 113
SN - 1738-3188
AB - Anti-Communism ideology was used as effective means to unite the nation for accomplishing the goal of the ‘modernization of the fatherland’ which was the most urgent call for the Park regime in 1960’s. That issue is directly associated with the matter of how to describe ‘Korean War’ in making cultural production in those days.
Both literature and film function as ‘lieux de mémoire’ where the nation store ‘collective memory’ of historical events. But how they operate is completely different in some ways because they work on different media and systems of capital and censorship on them work differently. During the Park regime, the fields of censorship and capital mingled together. Financial aid was provided for the works which express the ideas conformed to the government’s political propaganda. In 1960’s the influence of literature on mass had withered while that of film on mass just stared to gain prosperity. The comparisons of Lee Chungjun’s The Wounded and The Starting Point(Kim Soo-yong’s filmic translation of The Wounded) and Lee The General’s Mustache and Lee Eo-Ryeong’s The General’s Mustache (Lee Seong-gu’s filmic translation of he General’s Mustache) shows many differences among those texts which resulted from both media and social circumstances.
KW - the Park regime;cultural products in 1960’s;collective memory;lieux de mémoire;censorship;filmic translations of literary works
DO - 10.18856/jpn.2013..29.003
ER -
김지미. (2013). Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」). Journal of Popular Narrative, 29, 73-113.
김지미. 2013, "Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」)", Journal of Popular Narrative, no.29, pp.73-113. Available from: doi:10.18856/jpn.2013..29.003
김지미 "Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」)" Journal of Popular Narrative 29 pp.73-113 (2013) : 73.
김지미. Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」). 2013; 29 : 73-113. Available from: doi:10.18856/jpn.2013..29.003
김지미. "Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」)" Journal of Popular Narrative no.29(2013) : 73-113.doi: 10.18856/jpn.2013..29.003
김지미. Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」). Journal of Popular Narrative, 29, 73-113. doi: 10.18856/jpn.2013..29.003
김지미. Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」). Journal of Popular Narrative. 2013; 29 73-113. doi: 10.18856/jpn.2013..29.003
김지미. Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」). 2013; 29 : 73-113. Available from: doi:10.18856/jpn.2013..29.003
김지미. "Cultural Correspondence of Korean War in 1960’s - Focused on filmic translations of The Wounded (「병신과 머저리」) and The General’s Mustache (「장군의 수염」)" Journal of Popular Narrative no.29(2013) : 73-113.doi: 10.18856/jpn.2013..29.003
