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@article{ART001504068},
author={Park Myongok},
title={A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space},
journal={DONAM OHMUNHAK},
issn={1229-2117},
year={2010},
volume={23},
pages={127-152},
doi={10.17056/donam.2010.23..127}

TY - JOUR
AU - Park Myongok
TI - A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space
JO - DONAM OHMUNHAK
PY - 2010
VL - 23
IS - null
PB - The Donam Language & Literature
SP - 127
EP - 152
SN - 1229-2117
AB - The increasingly tight surveillance over dissident literati during the final years of Japanese occupation forced Ji-Yong to seek a new form of writing poetry. His quest led to the classical canon of Korean literature in which he found a model that he wanted to use to portray the world of art. The model he discovered was landscape poetry, which he employed as a source of esthetics because it allowed him greater latitude with respect to format as opposed to content. Since the content matter had a direct relationship with reality that concerned him, there wasn’t much he could do about it; however, the new format posed little constraint. That is why he opted for it, it seems. Under circumstances in which he could neither accept nor reject Japan, iyong decided to overcome the unstable conditions of his time by taking a tour of his homeland. This enabled him to apply the transcendental time-space approach to his activities as a poet in a state that was neither in the past nor in the present. In a situation where he had to fend off the oppressions of imperial Japan, landscape poetry became his mode of expression as it allowed him to immerse himself in the landscapes of nature by neutralizing the effects of time and space therein. Ji-Yong saw nature’s time in perpetual motion as a mode of spatialization, as it were, and, in turn, that kind of time finds its way into his poetry via the elements of natural scenery. Space integrated with time in such a manner takes shape as a “constructed fact” above and beyond the realm of “factual reality.” For Ji-Yong landscape poetry thus constructed is a utopia, which by definition does not exist anywhere in the real world. And that is why Ji-Yong pursued something of an eternity by, again, neutralizing the effects of time-space as he remained buried in nature.
KW - landscape poetry;feel;scenery;time;space;classical canon;eternity
DO - 10.17056/donam.2010.23..127
ER -

Park Myongok. (2010). A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space. DONAM OHMUNHAK, 23, 127-152.

Park Myongok. 2010, "A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space", DONAM OHMUNHAK, vol.23, pp.127-152. Available from: doi:10.17056/donam.2010.23..127

Park Myongok "A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space" DONAM OHMUNHAK 23 pp.127-152 (2010) : 127.

Park Myongok. A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space. 2010; 23 127-152. Available from: doi:10.17056/donam.2010.23..127

Park Myongok. "A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space" DONAM OHMUNHAK 23(2010) : 127-152.doi: 10.17056/donam.2010.23..127

Park Myongok. A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space. DONAM OHMUNHAK, 23, 127-152. doi: 10.17056/donam.2010.23..127

Park Myongok. A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space. DONAM OHMUNHAK. 2010; 23 127-152. doi: 10.17056/donam.2010.23..127

Park Myongok. A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space. 2010; 23 127-152. Available from: doi:10.17056/donam.2010.23..127

Park Myongok. "A Study of Jung, Ji-Yong's Landscape Poetry with A Focus on His Treatment of Time-Space" DONAM OHMUNHAK 23(2010) : 127-152.doi: 10.17056/donam.2010.23..127