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Memory of War and Politics of Memory ― Focused on 『Angrice』 of Ma Hae Song ―

  • DONAM OHMUNHAK
  • Abbr : 돈암
  • 2017, 31(), pp.87~109
  • DOI : 10.17056/donam.2017.31..87
  • Publisher : The Donam Language & Literature
  • Research Area : Humanities > Korean Language and Literature > Korean Literature > History of Korean Literature
  • Published : June 30, 2017

Jang Young Mi 1

1한국체육대학교

Candidate

ABSTRACT

The purpose of this article is to investigate the political situation of war and the memory of war based on the war situation and awareness that the artist memorizes. The sarcasm and resistance spirit that Ma Hae Song showed in the early works seeks to capture the changing tendency of the works based on the war of the six and twenty-fifth period. In particular, he studied the politics of memories and memories of war, with the idea of recognizing war in 『Angrice』 which is based on war, with a clear view of anti-communism. In the late 1950s when 『Angrice』 was announced, it was a time when ideology was needed to secure the position of the ruling power. In other words, it is the time when the integration of the people and the production of ideology are necessary for the reign of the ruling forces. In this respect, 『Angrice』 is a work of writer Ma Hae Song, a writer of the war, experiencing and experiencing the memory of the war on the one hand with the use of literary imagination. On the other hand, Device. For example, 『Angrice』 shows that war is destroying life and the existence is threatened. The lives of ordinary people, regardless of whether they are adults or children, live a life of deprivation and fall into hell. However, the cause of this tragic life was all due to the Communist Party and the brutality of the People's Army created a sense of fear. In addition, unlike the appearance of Lieutenant General Koo, who is a national army with a warm heart, the armed forces of the People's Army can find the polarized gaze of the artist. This can not be seen as a factor in the personal experience and memory of an individual. In the end, it can be seen that, through 『Angrice』 one person is not related to memories and possessions of war, but to the environment. Therefore, memory is not only a function of time and memories of the past, but an important part of the present and the future, that is, the community life. In particular, remembering and recording the historical events of a country can be said to play an important role in that it shares the socio - cultural and historical values of members as well as current and future political interests. Therefore, the creation is the result of what the artist himself experienced and experienced, but the writer's record reminds us once again of the memory of war and the political problem of memory in terms of public record beyond the ownership of the artist alone.

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