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A Study on Sino-Korean Poetry of Gim Rip Contained in Munhaksasang

  • Journal of Korean Classical Chinese Literature
  • Abbr : 한문고전연구
  • 2019, 39(1), pp.171-203
  • DOI : 10.18213/jkccl.2019.39.1.007
  • Publisher : The Classical Chinese Literature Association of Korea
  • Research Area : Humanities > Korean Language and Literature
  • Received : November 16, 2019
  • Accepted : December 17, 2019
  • Published : December 30, 2019

Gu, Bon Hyeon 1

1동덕여자대학교

Accredited

ABSTRACT

Difficulties in research on Gim Rip[金笠] also known as Gim Sat-gat[김삿갓] come from two main reasons. One is that it is difficult to distinguish whether Gim is referring to Gim Byeong-yeon[金炳淵] or several poets of similar age. This is due to the fact that there are no documented records of Gim's life. Second is the authenticity of Gim's works. Since the works created before the name 'Gim rip' was talked about were misinformed as Gim rip's, the historical investigation must be made thoroughly. Most of what is said to be Gim's works is based on the efforts of Li Eung-su[李應洙] during the Japanese colonial era. Li collected and organized Gim's poems and published three versions of Gim’s anthology. Later, Gim's new works were discovered and introduced from time to time, and the most notable among them is Gim's 12 poems in Muhaksasang[文學思想] the February issue of 1983. The reason for this is as follows. First, we can find a few evidences indicating that the author named 'Gim Rip' is Gim Byeong-yeon. There is a poem indicated the author as ‘Nan-go’, the nickname of Gim Byeon-yeon. Poetry given to Gim Hoi-myeong[金會明], who was serving as a governor of Yeonggwang[靈光], shows that the author had known Gim Hoi-myeong before. Considering that Gim Hoi-myung and Gim Byeong-yeon are from Andong Gim family, the author of the poem can be considered Gim Byung-yeon. Second, the works created in Yeonggwang and Gokseong[谷城] are included. These areas are close to Hwasun[和順] where Gim Byeong-yeon stayed for a while and died in 1863. Therefore, through the review on these poems, the traces of Gim's later years can be verified in more details. Third, There are four Yeongmulsi[詠物詩] that can be compared with Gim's another works that reveal Gim's poetic talent and individuality. Gim was famous for his Yeongmulsi which reveal new perspectives and novel expressions on surrounding things. This feature is also reflected in the Yeongmulsi in Munhaksasang.

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