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The Poetics of Ownership in Robert Frost - Order and Chaos in “Stopping by Woods on a Snowy Evening” -

  • Journal of Humanities
  • 2026, (100), pp.499~524
  • Publisher : Institute for Humanities
  • Research Area : Humanities > Other Humanities
  • Received : December 23, 2025
  • Accepted : January 30, 2026
  • Published : February 28, 2026

Lee, Jeong Min 1

1성균관대학교 영어영문학과

Accredited

ABSTRACT

This study investigates the function of “ownership” in Robert Frost’s poetry, with a primary focus on “Stopping by Woods on a Snowy Evening.” While the poem is frequently celebrated for its aesthetic achievement, the speaker’s opening query regarding the ownership of the woods introduces a jarring element of everyday social reality. This juxtaposition generates a subtle yet significant tension with the poem’s overwhelming natural beauty. By repositioning the first stanza’s reference to ownership-often marginalized in critical discourse-as a central interpretive key, this paper argues that the concept of ownership serves as a crucial lens for understanding not only this poem but Frost’s poetics more broadly. Drawing on Frost’s conviction that poetry offers a “momentary stay against confusion,” this study posits that ownership functions as a symbolic mechanism for imposing order upon chaos. Just as Frost embraces conventional verse forms to contain confusion, references to ownership-signifying the social contract-act as a structural counterweight to the speaker’s existential anxiety. Ultimately, the analysis reveals that the invocation of ownership in “Stopping by Woods” constitutes a desperate and largely unconscious attempt to tether the self to the human world, thereby preventing a total dissolution into the seductive darkness of nature.

Citation status

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