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Literary Representation of the Treatment of Melancholy - Goethe’s Singspiel Lila -

  • Journal of Humanities
  • 2026, (102), pp.207~239
  • Publisher : Institute for Humanities
  • Research Area : Humanities > Other Humanities
  • Received : June 28, 2026
  • Accepted : August 7, 2026
  • Published : August 31, 2026

E-Jeong Hong 1 KIM EUNG-JUN 2

1성균관대학교
2국립공주대학교

Accredited

ABSTRACT

In eighteenth-century Europe, the emergence of new medical and psychological approaches to the treatment of melancholy led to a profound reassessment of the dehumanizing practices and demonization to which the mentally ill had previously been subjected. In particular, the ‘Moral Treatment,’ which originated in France, not only spread among the German medical community but also inspired the writer Johann Wolfgang von Goethe. Through his psychological drama Lila, a Singspiel (a genre combining spoken dialogue with song and dance), Goethe explored the possibility of literary healing for melancholy. Departing from conventional and inhumane methods of treatment, this approach employs patient-centered therapy. In this therapeutic play, the protagonist, Lila, overcomes her pathological melancholy through the active support of her family and friends. To explore these new possibilities for the treatment and literary representation of pathological melancholy, this paper first examines the psychiatric treatments that emerged in the eighteenth century. It then analyzes how Goethe, who portrayed the melancholy characterized by despair and downfall in The Sorrows of Young Werther, presents the possibility of recovery in Lila within both medical and literary contexts. In addition this study investigates how Goethe, through his keen interest in the treatment of melancholy, gave literary expression to these emerging psychological therapies within the structure of a psychological Singspiel.

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