본문 바로가기
  • Home

Virgin Envy and Misogyny in Hamlet by Lee Youn-taek

  • PHILOSOPHY·THOUGHT·CULTURE
  • 2024, (45), pp.261~282
  • DOI : 10.33639/ptc.2024..45.010
  • Publisher : Research Institute for East-West Thought
  • Research Area : Humanities > Other Humanities
  • Received : May 25, 2024
  • Accepted : June 24, 2024
  • Published : June 30, 2024

YU YEONJU 1

1서울대학교

Accredited

ABSTRACT

This study takes a critical look at notable works in the theater history, with a particular emphasis on Hamlet, rewritten and directed by Lee Youn-taek. Lee diminishes the themes of war and political conflict in the original, leading to an exaggerated focus on the virginity of Gertrude and Ophelia. This obsession is linked to Hamlet’s lineage, as Lee suggests that Claudius is his real father. This twist alters the foundational motives for Hamlet’s vengeance and murder, presenting a controversial reinterpretation. Lee also diverges from Shakespeare’s narrative by incorporating a sexual encounter between Claudius and Ophelia, framing it as a rivalry with Hamlet that culminates in Ophelia’s death due to the loss of her virginity. Lee’s rendition of Hamlet centers around a male-dominated competition concerning the ownership of virginity, leading to the sacrifice of female characters in their conflicts.

Citation status

* References for papers published after 2023 are currently being built.