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An Analysis of the Narrative Structure of Lee Hyo-seok’s When the Buckwheat Flowers Bloom through the Lacanian Triad

  • Industry Promotion Research
  • Abbr : IPR
  • 2026, 11(4), pp.379~387
  • DOI : 10.21186/IPR.2026.11.4.379
  • Publisher : Industrial Promotion Institute
  • Research Area : Interdisciplinary Studies > Interdisciplinary Research
  • Received : September 30, 2026
  • Accepted : October 20, 2026
  • Published : October 31, 2026

Kyung-min Lee 1,  Ki-Seung Kim 1

1국제뇌교육종합대학원

Accredited

ABSTRACT

This study re-reads Lee Hyo-seok's short story, When the Buckwheat Flowers Bloom, through Jacques Lacan's psychoanalytic triad: the Imaginary, the Symbolic, and the Real. Moving beyond conventional readings of the narrative as nostalgic provincial depiction, this paper examines how a lacking subject confronts reality within the Symbolic order and reconstructs subjectivity through layers of desire. First, on the level of the Imaginary, Heo Saeng-won's fantasies of the past and his alienated self in old age drive a self-constructed narrative that compensates for lack in relation to the Other. Second, on the level of the Symbolic, he compensates for lack through the social signifier of the itinerant merchant (jangdolbaengi) and the order of fate. Third, on the level of the Real, the encounter with Dong-i, particularly the rediscovery of the "left-handed" signifier, ruptures his symbolic world, allowing him to integrate repressed desire and become a relational subject. Fourth, by accepting rather than denying this rupture, Heo Saeng-won forges it into a new "sinthome" that sustains a mode of subjectivity capable of living with lack. These results show that narrative completion systematizes subjective desire, offering a structural model that may inform contemporary content narrative design.

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