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Korean TV drama discourse in the Cultural Discourse of Chinese Communist Party: A Discourse Analysis on ‘Cultural Industry’ & ‘Confucian Culture’(2002-2012)

Lee Ruda 1

1중국 북경대학교 예술대학원

Accredited

ABSTRACT

This research selected Chinese Communist Party(CCP) as the agent for accepting Korean TV dramas, and explained the reception of Korean TV dramas by CCP in the aspect of discourse for methodology. There were three specific research purposes as follows. First, what are the major external and internal environmental elements faced by the CCP? Second, what is the discourse on Korean TV dramas generated by the core journals of China? Third, what is the relationship between the Korean TV dramas discourse and the discourse generated by CCP? In this research, the texts of discourse included The Report of 16th&17th National Congress of the Communist Party of China, the 11th Five-Year Plan and 120 essays of the core journals of China. The research results are as follows. First, the CCP led by the fourth generation leaders from 2002 until 2012, faced the major external and internal environmental change of 'Cultural Globalization' and 'Peaceful Rise'. Second, the research on Korean TV dramas by the core journals of China generated the discourses on 'Cultural Industry' and 'Confucian Culture'. Third, the discourses on 'Cultural Industry' and 'Confucian Culture' of Korean TV dramas were closely associated with the discussion suggested and emphasized by CCP. Accordingly, the discourses on Korean TV dramas between 2002 until 2012 were accepted in the domain of the discourse generated by CCP in external and internal environmental change. It can be said that the discourses on the Korean TV dramas were accepted as the main ideology of the CCP.

Citation status

* References for papers published after 2022 are currently being built.