KJCKorea
Journal Central

The critical mind of this writing has arisen from the interest on the actual material conditions of Kyubang Gasa. While past research-historical results on <Sa Chin Ga> are rough, I realized there are plenty of materials that can be included in discussion. So, in this writing I assorted a series of material covered as <Sa Chin Ga> for titles, reviewed the object materials (works in Chapter 2), and then studied by subdividing the distinctive aspect of <Sa Chin Ga> (works in Chapter 3). Through examining the material condition of <Sa Chin Ga>, I found there were many products in two types as ‘self-grief type’ and ‘monthly description type’ and also existed products in the variation of this kind. On the basis of the result, I reviewed the distinctive aspect of <Sa Chin Ga>. <Sa Chin Ga> regularizes the theme of ‘missing parents’ that has been treated attendantly, and shows distinctive embodiment method that is differentiated by types. It is meanful from the standpoint that the <Sa Chin Ga> is enjoyed as a type of ‘same title–different products’ based on continuous homesick and each products intensify the base of continuous homesick.

Sa Chin Ga [missing parent song], (women) Ja tan Ga [self-grief song], Wol Ryung Ga [monthly description song], missing parents, fillial piety, Kyubang Gasa