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@article{ART002111890},
author={Kim, Tai-woong},
title={Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak},
journal={The Research of the Korean Classic},
issn={1226-3850},
year={2016},
number={33},
pages={311-340},
doi={​​​10.20516/classic.​2016.​33​.311}

TY - JOUR
AU - Kim, Tai-woong
TI - Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak
JO - The Research of the Korean Classic
PY - 2016
VL - null
IS - 33
PB - The Research Of The Korean Classic
SP - 311
EP - 340
SN - 1226-3850
AB - This study discovered meaning of gyemeonjo for women’s singing. Based on this research, this study also tried to search changes and compiling anthology from early 19th century to middle 19th century. Yeongun, name of this anthology, was name to show normality like other anthologies, such as Chengguyeongun. Especially, this anthology was very familiar with Gaekakbo and Chengguyeongun of Yukdang, this anthology was compiled later than Gaekakbo, earlier than Chengguyeongun of Yukdang. Yeongun of Gyujanggak was important anthology to show that women’s singing was independent, and two phenomenon to fix tones to ujo and gyemyeonjo about changes of anthologies from early 19th century to middle 19th century. Character of anthologies from early 19th century to middle 19th century was invention of doogeor, there was no doogeor in Yeongun of Gyujanggak. However, factor in anthology was existed to recognize this flow of changes, that factor was gyemyeonjo, women’s singing. This part was appeared as tone, not name of akgok, this phenomenon was also appeared in Gyemyeonjo in Donggukgasa. However, Donggukgasa didn’t have completed Pyeonga’s form, Yeongun was completed Pyeonga’s form anthology. Nevertheless, reason that flexible akgok like Gyemyeonjo was existed was high possibility to be not completed especially in part of women’s singing. Like this, Yeongun of Gyujanggak had two fixed form such as ujo, gyemyeonjo that character from early 19th century to middle 19th century, and also was completed pyeonga’s form to show independent women’s singing. However, that women’s singing was not completed, therefore, Yeongun of Gyujanggak was meaningful anthology to show form before settling women’s singing.
KW - Yeongun of Gyujanggak;Gyemyeonjo;flexible akgok;derived song from Yisakdaeyeop;anthology
DO - ​​​10.20516/classic.​2016.​33​.311
ER -

Kim, Tai-woong. (2016). Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak. The Research of the Korean Classic, 33, 311-340.

Kim, Tai-woong. 2016, "Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak", The Research of the Korean Classic, no.33, pp.311-340. Available from: doi:​​​10.20516/classic.​2016.​33​.311

Kim, Tai-woong "Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak" The Research of the Korean Classic 33 pp.311-340 (2016) : 311.

Kim, Tai-woong. Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak. 2016; 33 : 311-340. Available from: doi:​​​10.20516/classic.​2016.​33​.311

Kim, Tai-woong. "Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak" The Research of the Korean Classic no.33(2016) : 311-340.doi: ​​​10.20516/classic.​2016.​33​.311

Kim, Tai-woong. Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak. The Research of the Korean Classic, 33, 311-340. doi: ​​​10.20516/classic.​2016.​33​.311

Kim, Tai-woong. Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak. The Research of the Korean Classic. 2016; 33 311-340. doi: ​​​10.20516/classic.​2016.​33​.311

Kim, Tai-woong. Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak. 2016; 33 : 311-340. Available from: doi:​​​10.20516/classic.​2016.​33​.311

Kim, Tai-woong. "Transformation of the Music and Aspects of the Compilation of Collections of Gagok from the early 19th century to middle 19th century -­focused on Yeongun of Gyujanggak" The Research of the Korean Classic no.33(2016) : 311-340.doi: ​​​10.20516/classic.​2016.​33​.311