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Literary imagination about Anpyeong prince and its meaning in Unyeongjoen and Bongijaerongphilwangi

  • The Research of the Korean Classic
  • 2018, (42), pp.5-45
  • DOI : 10.20516/classic.2018.42.5
  • Publisher : The Research Of The Korean Classic
  • Research Area : Humanities > Korean Language and Literature > Korean Literature > Korean classic prose
  • Published : August 31, 2018

Kim Moon Hee 1

1경기대학교

Accredited

ABSTRACT

The purpose of this study is to discuss literary imagination of reconstructing historical character and its meaning through imagery, representation and comments on historical character, Anpyeong prince who appears in Unyeongjeon and Bongijaerongphilwangi. In the interior frame of Unyeongjeon, Anpyeong prince is shaped as a writer and caligrapher, a patron of the arts and a commander with power. Emotion of grief and sympathetic view about Anpyeong is expressed through description of Suseong palace and reaction of figures in the interior frame of Unyeongjeon. The beginning and body part of Bongijaerongphilwangi is shaping a writer and calligrapher, a patron of the arts, a man of refined taste. In the comment part of Bongijaerongphilwangi, Anpyeong is viewed negatively that he is defeated in the Gyeyujeongnan because he used his talents uncarefully. The shape of figures in the interior frame of Unyeongjeon and the beginning and body part of Bongijaerongphilwangi, is imitating imagination of history simulation which constitues figures imitating history. The meta-view about Anpyeong prince in the exterior frame of Unyeongjeon and comment part of Bongijaerongphilwangi, is the interpretive imagination of history assessment which views historical events and characters variously. The imitating imagination of history simulation gives material that make repetitive talent and personality of character when shaping a historical character, Anpyeong prince in literature. The interpretive imagination of history assessment gives material that make the narration of Anpyeong prince fresh.

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