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The Operative Principles of Tragedy and the Narrative Beyond in the Remarried Family -Focusing on Affect and Material Entanglement in The Tale of Kim Inhyang-

  • The Research of the Korean Classic
  • 2026, (73), pp.63~111
  • Publisher : The Research Of The Korean Classic
  • Research Area : Humanities > Korean Language and Literature > Korean Literature > Korean classic prose
  • Received : April 23, 2026
  • Accepted : May 17, 2026
  • Published : May 31, 2026

Jung, Hye-kyung 1

1강남대학교 KNU 참인재대학

Accredited

ABSTRACT

This study re-reads The Tale of Kim Inhyang, a late-Joseon stepmother-figure domestic novel, through affect theory and material entanglement, tracing the operative logic of its tragedy beyond particular characters or ideologies. The tragedy is structurally configured before the stepmother arrives, as the deceased first wife Wang's last words constitute her as a future threat through an affective factual logic. Once integrated into the household, the stepmother becomes the body through which tragedy erupts, yet the tragedy itself is accelerated by an entanglement of the patriarch's suspicion and shame, the children's helplessness, and nonhuman actors. Unresolved within the household, affect flows outward across transcendental and actual realms, mediated through state power and external communities as a form of social care. The sisters' resurrection is not merely vindication but the necessary process by which affect, refusing extinction, reclaims the bodies in which to dwell. This operative mode unfolds through three axes—body, space, and information. The work separates bodies that endure tragedy from those that generate it and distributes maternal affect asymmetrically, fixing the stepmother as an affective alien. Space functions as a performative apparatus that condenses and seals affect, reducing social catastrophe back to family misfortune. The material vibrations of information— rumors, last words, letters, and funeral orations—operate as actants determining the tragedy's direction.

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