2011, Vol.50, No.50

‘ㄹ’ final stems and Optional realization of ‘으’ in Jeonju dialect

Baek Euna | 2011, 50(50) | pp.5~21 | number of Cited : 1

Language management policy of Korea - Focusing on public language improvement policy -

황용주 | 2011, 50(50) | pp.23~45 | number of Cited : 36

Festival as a Cultural Product and Using Narrative

Kwon Eun Young | 2011, 50(50) | pp.47~70 | number of Cited : 3

Family's Rebirth through Poetry

PARK YOUNG WOO | 2011, 50(50) | pp.71~92 | number of Cited : 2

A Study of Oh Jeong Hee's 「Dong Gyong」 through the philosophy of Heidegger

심재호 | 2011, 50(50) | pp.93~115 | number of Cited : 3

A Study on the Representation of Modern City Represented of Mo Ran Bong

Eom Suk Hui/ | 2011, 50(50) | pp.117~136 | number of Cited : 2

A Study on the relations between Korean Traditional marriage and Mudanggut

Lee, Young-Bae | 2011, 50(50) | pp.137~159 | number of Cited : 4

The typical characteristics and the meanings of <Chonpyongku geon>

김명선 | 2011, 50(50) | pp.161~191 | number of Cited : 2

This manuscript was looked over the aspects of mutual negotiation between the practice of hauled scene and the story of the criminal records to grasp the typical characteristics and the meaning, making 'Yu Jae Jyp by Yu Jae, Ki Myon Song and 'Jeong Pyeong Gu Jeon made of 'Kwon Ji Yuk the text. And we considered carefully the structural meaning the aesthetic characteristics. More than all, the personal transmission of Jeong Pyong-gu is the text established in the literature interacting the structure of substantial development that is located in the center of the event adequately with facts and fictions in the state preserved models and the forms of personal collection intactly in the late Jo Son Dynasty. Therefore in the component form of the collection as the part of whereabouts of the text, we could understand that the common substantial change was taking place while historical tales, fables and factual histories were interacting. Consequently, due to open nature of the ‘Jeon(전)’, by the legendary motif of this manuscript, the personal transmission of Jeong Pyong Gu is the work with various conditions that can cause the substantial change easily in the course handed down orally by the historical time difference. And the attitude of narration and the point of view of the complier remain intact in the commentary part of the text. But now and then there is indirect periphrastic criticism about the problem of selection of fit persons of ‘Gadamhangeo(가담항어)’ in the late Jo Son Dynasty. Furthermore since the transmission of character adds interest while literary aesthetic character-wit, satire and humor-are operating as the dramatic reversal of development of the event, we can learn that it is a personal collection that laminated literary feature realized the expression of popular consciousness in the late Jo Son Dynasty permeated intactly in the practical personal transmission.

A Study on the Emotions Shown in Lee Haeng’s Exilic Poetry

Kim, Eunji | 2011, 50(50) | pp.193~215 | number of Cited : 2

The purpose of this study is identifying the poetic emotion shown in the poem made by Lee Haeng while exiling in Chungju, Haman province and Geoje Island. The centralism of early Chosun period slowly collapsed during the middle age and the society was in chaotic situation with the four events of massacre of scholars. Hence, the some people who entered the government service accomplished their will or some were exiled by losing the political power. The exile is a sort of punishment which criminals were sentenced for rest of their lives instead of the death sentence, then these extreme experiences influence the exiles. The exilic life is the other aspect which cannot be missed for the politicians of those times with the political and rural life. Let’s look at the poetic emotion and emotional changes shown in the poems by Lee Haeng during the exile. Lee Haeng’s exile was assigned to Chungju at first for 3 years then to Geoje Island through Haman province by involving in the Gapja massacre of scholars. As he moved the place of exile, he left manuscripts of poems with the tile of Jeokgeorok(≪謫居錄≫) in Chungju province,Namcheonrok(≪南遷錄≫) in Haman province and Haedorok(≪海島錄≫) in Geoje Island. The criterion of classifying the types of emotions in exilic poetry is the attitude of poetic mind toward the reality. The method of describing the reality is changed depending on the exilic situation. The types of emotions can be described as the way how to express the conflicts against the reality and we can see how to solve the problem against the reality or internal conflict. The frustrated and the desperate emotion of self lamentation shown at the beginning of Jeokgeorok(≪謫居錄≫) changed into the positive emotion as comforting himself in Namcheonrok(≪南遷錄≫). This transformation seemed to somewhat solve the desperation and solitude through the friendship with the other exiles and rather to have the opportunity to look back himself in Haedorok(≪海島錄≫). Therefore, the direction of the poem attained the emotion of self enlightenment. Lee Haeng internally looked over himself and established the attitude of making more objective observation of his nature in the chaotic reality. The active internalization of dissatisfaction toward the reality shows poet himself solving the conflicts harmonically. This can be known as the process in which the writer or poet solves the problems of real world.

A study on 『Ho Dong Seo Nak Gi』

백민자 | 2011, 50(50) | pp.217~240 | number of Cited : 7

On the Enjoyment of Gasa and Cultural Lives in the Hyangchon Society

이힐한 | 2011, 50(50) | pp.241~258 | number of Cited : 1

The Critical Study about Appropriateness of Objectives of Literature Education - Focusing on the High school Literature Curriculum -

Jeon han sung | 2011, 50(50) | pp.259~278 | number of Cited : 6

KJCKorea
Journal Central

Korean Language and Literature 2023 KCI Impact Factor : 0.47

2011, Vol.50, No.50