@article{ART001358479},
author={이승철},
title={Study on Written by Jeong Ji-yong},
journal={Korean Language and Literature},
issn={1229-3946},
year={2008},
volume={45},
number={1},
pages={191-213},
doi={10.23016/kllj.2008.45.1.191}
TY - JOUR
AU - 이승철
TI - Study on Written by Jeong Ji-yong
JO - Korean Language and Literature
PY - 2008
VL - 45
IS - 1
PB - 국어문학회
SP - 191
EP - 213
SN - 1229-3946
AB - This paper investigates the poem written by Jeong Ji-yong “Glass
Window-1” through methodology of cognitive sementics. Cognitive
sementics is a literary research method for attaining to creative
understanding through construction of and investigation on subjective
meaning by the cognitive subject; the cognitive subject cognize the
meaning of language according to his subjective perspective, not according
to a fixed code. What has been hitherto argued may be summed up as
following.
According to the analysis on overall links between metaphor and icon,
input space for nature includes “steam of breath”, “pitch-dark night”,
“water-soaked star” and “mountain bird”, and input space for man includes
“speaker” and “me.” Hybrid space of the entire text consists of sadness,
mental pain and farewell sentiment which can be felt when poetic object
“flew away”, which were taken from input space for objective, and
behavior of object and tears which were taken from input space.
“Glass window” has two meanings in the poem written by Jeong Ji-yong. First, glass reflects inner and outer landscape, and also plays a
role in connecting inner space with outer landscape. As Glass window
functions as a frame, it makes outer landscape which is the object of desire
into a piece of picture. The poetic speaker craves for outer landscape, that
is, the object of desire through glass window.
Second, glass does duty as mirror. The poetic speaker puts his feeling
and situation that he cannot communicate with outer world as he was
locked in a room into a glass window. Glass window plays a role as a
mirror which shows the feeling of poetic speaker, and maximizes his
sorrow and condition.
This poem uses metaphor such as “Emotion is a material”, “Life is a
journey” and “Nature is a man.” These image schemas have
complementary relation one another, create hybrid space, and extend the
image to emotional area, not to speak of physical action
KW - cognitive sementics;glass window;link between metaphor
and icon;input space;hybrid space;image schema
DO - 10.23016/kllj.2008.45.1.191
ER -
이승철. (2008). Study on Written by Jeong Ji-yong. Korean Language and Literature, 45(1), 191-213.
이승철. 2008, "Study on Written by Jeong Ji-yong", Korean Language and Literature, vol.45, no.1 pp.191-213. Available from: doi:10.23016/kllj.2008.45.1.191
이승철 "Study on Written by Jeong Ji-yong" Korean Language and Literature 45.1 pp.191-213 (2008) : 191.
이승철. Study on Written by Jeong Ji-yong. 2008; 45(1), 191-213. Available from: doi:10.23016/kllj.2008.45.1.191
이승철. "Study on Written by Jeong Ji-yong" Korean Language and Literature 45, no.1 (2008) : 191-213.doi: 10.23016/kllj.2008.45.1.191
이승철. Study on Written by Jeong Ji-yong. Korean Language and Literature, 45(1), 191-213. doi: 10.23016/kllj.2008.45.1.191
이승철. Study on Written by Jeong Ji-yong. Korean Language and Literature. 2008; 45(1) 191-213. doi: 10.23016/kllj.2008.45.1.191
이승철. Study on Written by Jeong Ji-yong. 2008; 45(1), 191-213. Available from: doi:10.23016/kllj.2008.45.1.191
이승철. "Study on Written by Jeong Ji-yong" Korean Language and Literature 45, no.1 (2008) : 191-213.doi: 10.23016/kllj.2008.45.1.191