@article{ART001795396},
author={Lee Yong Wook},
title={Paradigm shift and the fate of the novel},
journal={Korean Language and Literature},
issn={1229-3946},
year={2013},
volume={55},
number={55},
pages={149-176},
doi={10.23016/kllj.2013.55.55.149}
TY - JOUR
AU - Lee Yong Wook
TI - Paradigm shift and the fate of the novel
JO - Korean Language and Literature
PY - 2013
VL - 55
IS - 55
PB - 국어문학회
SP - 149
EP - 176
SN - 1229-3946
AB - Because it depends on the creativity and imagination of the individual writer, creative, has been recognized as the area of aesthetic experience and non-systematic theorizing is difficult so far. However, that it is possible that with the development of computer technology, Dramatic creative process to develop in the stage of DB of ordered patterning abstraction, technical can be automated creative process in recent foundation has been built. After extracting the pattern from the database that was constructed story of history is built on the data based on a certain rule, a series of processes that bear grand structure based on a certain algorithm 's became possible. Advances in technology have already started.
Decided that imagination is probably the product of window and originality is quantification measurement of or does not will depend on whether the purposive rules for building the DB is sophisticated much. Story value of the grand structure pattern highly reliable as sophisticated rules and sophisticated is generated, it is expand it to that pixel, was also extracted because the higher course.
The digital conversion of DB build the accumulation of memory that we have done in analog form until now, storytelling new dimension has become possible. Creation celebrated its paradigm turning point revolutionary another to think that it ensures that the directory structure of the database is summarized at a glance depth (Depth), can you visualize, the free movement of the sequence and hierarchy can be are.
The reason has returned to the literary space, rather than a novelist, Lee Infa is because the narrator is a he. Novel is intended to maintain the name still in the 21st century, it is as it does not lose its effectiveness as magnificent art, just to change the delivery method of the story
KW - Paradigm shift;Story helper;Synchronized rate;Storytellers;Intertextuality
DO - 10.23016/kllj.2013.55.55.149
ER -
Lee Yong Wook. (2013). Paradigm shift and the fate of the novel. Korean Language and Literature, 55(55), 149-176.
Lee Yong Wook. 2013, "Paradigm shift and the fate of the novel", Korean Language and Literature, vol.55, no.55 pp.149-176. Available from: doi:10.23016/kllj.2013.55.55.149
Lee Yong Wook "Paradigm shift and the fate of the novel" Korean Language and Literature 55.55 pp.149-176 (2013) : 149.
Lee Yong Wook. Paradigm shift and the fate of the novel. 2013; 55(55), 149-176. Available from: doi:10.23016/kllj.2013.55.55.149
Lee Yong Wook. "Paradigm shift and the fate of the novel" Korean Language and Literature 55, no.55 (2013) : 149-176.doi: 10.23016/kllj.2013.55.55.149
Lee Yong Wook. Paradigm shift and the fate of the novel. Korean Language and Literature, 55(55), 149-176. doi: 10.23016/kllj.2013.55.55.149
Lee Yong Wook. Paradigm shift and the fate of the novel. Korean Language and Literature. 2013; 55(55) 149-176. doi: 10.23016/kllj.2013.55.55.149
Lee Yong Wook. Paradigm shift and the fate of the novel. 2013; 55(55), 149-176. Available from: doi:10.23016/kllj.2013.55.55.149
Lee Yong Wook. "Paradigm shift and the fate of the novel" Korean Language and Literature 55, no.55 (2013) : 149-176.doi: 10.23016/kllj.2013.55.55.149
