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A Study on the formation of margins of Kim jong-sam’s poetry in Cognitive Poetics

Shin Jee One 1

1전북대학교

Accredited

ABSTRACT

This article is an analysis of the article 'the margin', which is one of the aesthetic qualities of Kim jong-sam’s poetry. Prior to mean building on the margins of Kim jong-sam’s poetry, this article tried to explain that the margins are formed through any process revealed in Kim jong-sam’s poetry. In particular, using the original methodology of Cognitive Poetics, and noted the process of feeling in the reader's perspective margin. When you read a poem of Kim jong-sam, attention selection is an important action to build on the meaning and aesthetic qualities of the work. In other words, a attention selection of figure and ground, profiling, forms the margins of Kim jong-sam’s poetry. Specifically, the analysis was that the figure and ground is a cyclical upturn in the case of "Little Drummer Boy". And due to the cyclic turnover "margin" it has been formed. In some cases, such as "The ink painting" and "Rasanska" it was also involved in analyzing the topic of subject and attention selection of verbs to profile. In addition, I looked at the course content that is beyond the expectations of readers. Moreover, by intentionally omitting the company analyzed the structure does not act on the profile to join the verb. Through this cognitive process revealed a pattern that is formed margin. We have to be filled with meaning in the ‘margin’. In other words, the margin is to function as a desired device fill out the meaning. And Kim jong-sam is a poet with the device very effectively. So it is difficult to evaluate only poet merely as an aesthetic pursuit of absolutely pure Kim jong-sam. And his poetry is difficult to assess only the image-oriented poetry.

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