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Matters of death and ethic in Yu Chi-Hwan's poem -included to propose connectivity between a edutainment and poem

  • Korean Language & Literature
  • 2010, (74), pp.481-506
  • Publisher : Korean Language & Literature
  • Research Area : Humanities > Korean Language and Literature

JongTae Kim 1

1호서대학교

Accredited

ABSTRACT

This thesis examined in being sorted into three categorization about matters of death and ethic in Yu Chi Hwan's poems. Yu Chi Hwan's Poems was classified into 'poem of reason' and 'poem of sensitivity'. But poems of these two trend pertain to sense about death in his poems. Also, poems of these two trend demonstrated dynamic about ethics. The chapter Ⅱ explained will to renew ego through self-qwareness about 'passing away'. The poet pursued endurance and will of self to meet own death in order to overcome futility. He suppressed own corporality and seeked a prospect about new self-realization. Work of abstract and ethical trend appears here. The chapter Ⅲ explained passion pursue to have a manner to surmount death. The poet that realized the proposition that we all have to die shows nihilistic thought for the death as a method to respond to life's finitude. Consciousness of poem that death can't recover from life gives shape to imagination accepting love and lust. It is difficult to the other works to mention in the preceding chapter to repeat imagining continually. The chapter Ⅳ explained moral law dwelling in a view of life and death of a vicious circle. While works debated in the chapter Ⅱ and the chapter Ⅲ appear variously through the beginning of his poems and the middle of his poems, works debated in the chapter Ⅳ appear in late period poems. Moral law of Yu Chi Hwan is connected by ethic which reason rules. This poet who has realized cosmic circulation embodied humanism. Yu Chi Hwan's poem appeared various thought for the death and thought for the ethics. As on the one hand they call him a poem preparing morality and will, on the other they call him a poem preparing love and happiness, they perceived his poems as only one side. He embraced all thought about poem. He embodied fusion and impulse in all his poem.

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