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@article{ART002316117},
author={Yong-Woo Lee},
title={Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime},
journal={Korean Review of French History},
issn={1229-702X},
year={2018},
number={38},
pages={239-286},
doi={10.51786/RCHF.2018.02.38.239}

TY - JOUR
AU - Yong-Woo Lee
TI - Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime
JO - Korean Review of French History
PY - 2018
VL - null
IS - 38
PB - KOREAN SOCIETY FOR FRENCH HISTORY
SP - 239
EP - 286
SN - 1229-702X
AB - This article attempts to analyze three films produced in the post-war France, which represented the Resistance in France during the German occupation. The Battle of the Rails(1946), Army of Shadows(1969) and The Army of Crime(2009) are examined here in terms of how they depict the Resistance under the Nazi rule and reflect their times. The Battle of the Rails describing the resistance of railway workers is regarded as the typical Resistance film produced just after the war and has close relationship with the myth of the resistancialism. Army of Shadows reflects the collapse of this myth and the end of a heroic age. The Army of Crime tells about the ‘Manouchian’s group’, an organization of immigrant Resistance fighters in Paris, and reminds the audience of the forgotten existence of foreigners in the French Resistance. As historical films showing the occupied France and the Resistance, Army of Shadows was better than The Battle of the Rails, and The Army of Crime received better reviews than two other films. However, those films’ public receptions did not coincide with the critical assessments of them when released.
KW - Resistance Film;Resistancialism;The Battle of the Rails;Army of Shadows;The Army of Crime
DO - 10.51786/RCHF.2018.02.38.239
ER -

Yong-Woo Lee. (2018). Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime. Korean Review of French History, 38, 239-286.

Yong-Woo Lee. 2018, "Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime", Korean Review of French History, no.38, pp.239-286. Available from: doi:10.51786/RCHF.2018.02.38.239

Yong-Woo Lee "Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime" Korean Review of French History 38 pp.239-286 (2018) : 239.

Yong-Woo Lee. Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime. 2018; 38 : 239-286. Available from: doi:10.51786/RCHF.2018.02.38.239

Yong-Woo Lee. "Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime" Korean Review of French History no.38(2018) : 239-286.doi: 10.51786/RCHF.2018.02.38.239

Yong-Woo Lee. Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime. Korean Review of French History, 38, 239-286. doi: 10.51786/RCHF.2018.02.38.239

Yong-Woo Lee. Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime. Korean Review of French History. 2018; 38 239-286. doi: 10.51786/RCHF.2018.02.38.239

Yong-Woo Lee. Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime. 2018; 38 : 239-286. Available from: doi:10.51786/RCHF.2018.02.38.239

Yong-Woo Lee. "Representation of the Resistance in the French Films: The Battle of the Rails, Army of Shadows and The Army of Crime" Korean Review of French History no.38(2018) : 239-286.doi: 10.51786/RCHF.2018.02.38.239