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@article{ART002376548},
author={Seok Jin Han},
title={Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED},
journal={The Korean Journal of Dance Studies},
issn={1226-900X},
year={2018},
volume={70},
number={3},
pages={71-96},
doi={10.16877/kjds.70.3.201808.71}

TY - JOUR
AU - Seok Jin Han
TI - Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED
JO - The Korean Journal of Dance Studies
PY - 2018
VL - 70
IS - 3
PB - The Korean Society for Dance Studies
SP - 71
EP - 96
SN - 1226-900X
AB - The paper explored philosophical and aesthetic implications of a virtual body in the context of a live dance performance Merce Cunningham’s BIPED(1999), based on social and cultural discourses on a virtual body as well as theories of two philosophers Maurice Merleau-Ponty and Gilles Deleuze. As a result, it argued that in the performance, the digital and human performers coexist as independent multiplicities of a dancing subject, being allied to each other without a sense of hierarchy. The juxtaposition of two types of dancers as well as the oscillations of embodied movements between the virtual and physical realm allow audiences to locate on the threshold of the physical and the virtual.
KW - Dane and technology;BIPED;Virtual body;Merleau-Ponty;Deleuze
DO - 10.16877/kjds.70.3.201808.71
ER -

Seok Jin Han. (2018). Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED. The Korean Journal of Dance Studies, 70(3), 71-96.

Seok Jin Han. 2018, "Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED", The Korean Journal of Dance Studies, vol.70, no.3 pp.71-96. Available from: doi:10.16877/kjds.70.3.201808.71

Seok Jin Han "Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED" The Korean Journal of Dance Studies 70.3 pp.71-96 (2018) : 71.

Seok Jin Han. Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED. 2018; 70(3), 71-96. Available from: doi:10.16877/kjds.70.3.201808.71

Seok Jin Han. "Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED" The Korean Journal of Dance Studies 70, no.3 (2018) : 71-96.doi: 10.16877/kjds.70.3.201808.71

Seok Jin Han. Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED. The Korean Journal of Dance Studies, 70(3), 71-96. doi: 10.16877/kjds.70.3.201808.71

Seok Jin Han. Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED. The Korean Journal of Dance Studies. 2018; 70(3) 71-96. doi: 10.16877/kjds.70.3.201808.71

Seok Jin Han. Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED. 2018; 70(3), 71-96. Available from: doi:10.16877/kjds.70.3.201808.71

Seok Jin Han. "Interfaces between Physical and Virtual Bodies in Merce Cunningham’s BIPED" The Korean Journal of Dance Studies 70, no.3 (2018) : 71-96.doi: 10.16877/kjds.70.3.201808.71