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A Study on the Dancing Patterns of Korean Music Drama from the 1940s to the Early 1970s

  • The Korean Journal of Dance Studies
  • Abbr : KRSDS
  • 2019, 74(2), pp.73-88
  • DOI : 10.16877/kjds.74.2.201906.73
  • Publisher : The Korean Society for Dance Studies
  • Research Area : Arts and Kinesiology > Dance
  • Received : May 15, 2019
  • Accepted : June 11, 2019
  • Published : June 30, 2019

Lee Ju Hee 1 bansoohyun 1

1중앙대학교

Accredited

ABSTRACT

The purpose of this study was to examine the development of dance in music dramas , which was one of the popular plays from the 1940s to the early 1970s. In particular, this study focused on performing groups and dancers. Also, it discussed dance expressions of music dramas in those days through Joseon Akgeukdan’s The Deep Lady (1939) and Yegreen Troupe’s Sweet, Come to Me Stealthily (1967). According to the analysis of works by the two music dramas groups, the phenomena and expressive features of dance in music dramas at the time were strongly expressed in Korean colors. The public was emphasizing on various genres, the form of military martial arts and theatrical movements.

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