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The Transitional Characteristics of Honam Woo-do Seoljang-gu in the Kim Baek-bong Jang gu Dance 『Sound of Dance』

  • The Korean Journal of Dance Studies
  • Abbr : KRSDS
  • 2019, 74(2), pp.123-141
  • DOI : 10.16877/kjds.74.2.201906.123
  • Publisher : The Korean Society for Dance Studies
  • Research Area : Arts and Kinesiology > Dance
  • Received : May 15, 2019
  • Accepted : June 4, 2019
  • Published : June 30, 2019

한솔 Han Sol 1 An BYong JU 1

1경희대학교

Accredited

ABSTRACT

This study is to analyze the creative aspect of a work by intensively looking into focusing on the transformative aspect of Honam Udo Seoljanggu shown in <Illustrations of Janggu Beating Techniques> marking a group dance work which is composed of farmer’s music tune out of <Kim Baek Bong> Janggu Dance. This study primarily transcribes <Kim Baek Bong> Janggu Dance, and conducts a comparative analysis between this work and Honam Udo Seoljanggu Jangdan. According to analysis, the record shows that Kim Baek Bong Janggu Dance has been influenced by Seoljanggu Jangdan, but seeing that the part which coincides with Honam Udo Seoljanggu Jangdan is very restrictive in the process of Jangdan transcription, the researchers suggest that Kim Baek Bong might re-create Janggu Dance in her own style, although it is true that Honam Udo Seoljanggu Jangdan has been partially inserted, and Kim Baek Bong was inspired by Honam Udo Seoljanggu Jangdan.

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