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A Study on the Audience of Joo-Won Song’s Virtual Reality Performance 「20▲△ (Twenty Triangle Triangle)」 - Focused on Jacques Rancière’s Emancipated Spectator Theory -

  • The Korean Journal of Dance Studies
  • Abbr : KRSDS
  • 2023, 92(3), pp.1-15
  • DOI : 10.16877/kjds.92.3.202309.1
  • Publisher : The Korean Society for Dance Studies
  • Research Area : Arts and Kinesiology > Dance
  • Received : August 10, 2023
  • Accepted : September 6, 2023
  • Published : September 30, 2023

Park, YouNa 1

1성균관대학교

Accredited

ABSTRACT

The purpose of this study is to examine the changes in the audience’s participatory characteristics inSong Joo-won’s performance using virtual reality technology, 「20▲△」(2023), in response to theconcept of ‘emancipated spectator’ as mentioned by Jacques Rancière. As a result, on the unfamiliar and uncomfortable stage of ‘discord’ where dancers, audience,performance assistants, and different times and spaces coexist, a process of ‘re-division of senses’ wasdiscovered. In addition, a new way of sensory perception of appreciating work emerged, and theaudience was able to experience new ways of appreciating work. I was able to discover the form of‘free play’ that explores the work, recognizes its presence, and re-choreographs it. In this way, we were able to find the possibility of the emancipated spectator becoming an activeinterpreter, liberated through individual experience and intellectual adventure in a dance performanceusing VR.

Citation status

* References for papers published after 2023 are currently being built.