@article{ART003388720},
author={김수진},
title={The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring},
journal={The Korean Journal of Dance Studies},
issn={1226-900X},
year={2026},
volume={105},
number={3},
pages={21-38},
doi={10.16877/kjds.105.3.202609.21}
TY - JOUR
AU - 김수진
TI - The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring
JO - The Korean Journal of Dance Studies
PY - 2026
VL - 105
IS - 3
PB - The Korean Society for Dance Studies
SP - 21
EP - 38
SN - 1226-900X
AB - This study examines the sacrificed body in Vaslav Nijinsky’s and Pina Bausch’s The Rite of Spring, focusing on its negative forms, processual changes, and aesthetic significance. The “sacrificed body” is defined as a processual body whose relational position and bodily state change within a ritual structure.
The works are analyzed through selection and separation, coercion, distortion, exhaustion, and collapse.
The analysis shows that negative bodily forms acquire meaning within sacrificial relations and develop through repetition, exhaustion, and collapse. Nijinsky foregrounds the formal negation of the normative ballet body, whereas Bausch exposes bodily vulnerability and material exhaustion.
Thus, the sacrificed body gains aesthetic significance as bodily negativity persists through sacrifice, revealing violence, vulnerability, and dissolution through aesthetic experience.
KW - Sacrificed Body;Sacrifice;The Rite of Spring;Processual Body;Bodily Negativity
DO - 10.16877/kjds.105.3.202609.21
ER -
김수진. (2026). The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring. The Korean Journal of Dance Studies, 105(3), 21-38.
김수진. 2026, "The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring", The Korean Journal of Dance Studies, vol.105, no.3 pp.21-38. Available from: doi:10.16877/kjds.105.3.202609.21
김수진 "The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring" The Korean Journal of Dance Studies 105.3 pp.21-38 (2026) : 21.
김수진. The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring. 2026; 105(3), 21-38. Available from: doi:10.16877/kjds.105.3.202609.21
김수진. "The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring" The Korean Journal of Dance Studies 105, no.3 (2026) : 21-38.doi: 10.16877/kjds.105.3.202609.21
김수진. The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring. The Korean Journal of Dance Studies, 105(3), 21-38. doi: 10.16877/kjds.105.3.202609.21
김수진. The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring. The Korean Journal of Dance Studies. 2026; 105(3) 21-38. doi: 10.16877/kjds.105.3.202609.21
김수진. The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring. 2026; 105(3), 21-38. Available from: doi:10.16877/kjds.105.3.202609.21
김수진. "The Aesthetics of the Sacrificed Body in Vaslav Nijinsky’s and Pina Bausch’s Versions of The Rite of Spring" The Korean Journal of Dance Studies 105, no.3 (2026) : 21-38.doi: 10.16877/kjds.105.3.202609.21
