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Performativity and Intermedial conversion

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2016, 46(), pp.181-209
  • DOI : 10.17527/JASA.46.0.06
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Published : February 28, 2016

Seungbin Choi 1

1서강대학교

Accredited

ABSTRACT

Performative arts has caused change in perception. Now we turn to the process of creation and perception of ‘events’ rather than ‘interpretation work’. We deviate from the representation and interpretation of meaning through performativity. The spectator will notice materiality of the medium through the action is not determined anything. Also spectator is an active performer that constitute an independent means through perception of materiality. The state of ‘in-between’ is realized from the consistent interaction between the spectator and performer. It deconstructed the traditional space and create a liminal space. And the spectator acts as the subject of the performances in the limanal space. In addition, spatial transformation results in a transformation in the physicality. Perceptual conversion is based upon cognitive changes on the body as a medium in performance. The spectator perceived not only the symbolic body to reproduce the meaning, but the phenomenal body of the performers. The phenomenal body is perceived as a material body to create a temporary event. The existing body of performer makes the accidental and temporary events through interaction between space and spectators. This perception of the dual body can be understood through the embodiment. And emergent elements creates a new meaning in the performance as a process of event. Performance as a process of action produced a event without passing a symbolic meaning. It provides an open space to create a contingency, and also to make the spectator into active performers. As a result, performative event are created between performer/spectator, architectural space/performative space, and symbolic body/phenomenal body and formed the intermedial relationships. These relationships are also emerging as a temporary and accidental. Thus performative performance is not an ‘complete’ structure, process of the continuous ‘creation’. Performative performance is the process of combining, replacement, deconstruction generated by the interaction ‘in-between’ everything. The feedback loop as a self-referential, autopoietic system enabling a fundamentally open, unpredictable process emerged as the defining principle of performative performance. So performative performance is a process of meaning production that continuously flow into. It will be understood by the space of ‘between’ to enable a change in the perception through the embodiment.

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