@article{ART002143590},
author={Ji-Hyun Lee},
title={The Affirmative Dialectics of Image},
journal={The Journal of Aesthetics and Science of Art},
issn={1229-0246},
year={2016},
volume={48},
pages={113-146},
doi={10.17527/JASA.48.0.04}
TY - JOUR
AU - Ji-Hyun Lee
TI - The Affirmative Dialectics of Image
JO - The Journal of Aesthetics and Science of Art
PY - 2016
VL - 48
IS - null
PB - 한국미학예술학회
SP - 113
EP - 146
SN - 1229-0246
AB - This essay has been prepared with an aim to grant the system of dialectics to the reality of image. Bergson's Image theory and Hegel's Dialectics are important conceptual foundations of this study. In this study, new possibilities are discovered with the logic of its reversal away from the point of view that is a static formal logic and methodology for the existing Hegel's dialectics.
For example, this study evokes an ontologistic movement that implies time and mobility through the principle of duration existing inside of dialectics. In this study, time is not a conceptual representation but a something experiential, and is universal duration. Things exists themselves within duration. And duration is certified by metamorphosis of the things. The nature of things is revealed the surface of things, that is, the image, and it is the zero degree level of leading which intersects the time, the spiritual, the sacred, dreams and the creative.
In addition, the image is realistic, concrete and sensible, and it works on the unique way of being called “Duration.” And dialectics of the image is about a differential existence. the affirmative dialectics of image was established by the dialectic in the four terms of Badiou as a model beyond the limits of the negative dialectics and the dialectics of three terms. The affirmative dialectics affirms a event as a new positive possibility coming after the era of disassembly. The event is also the case of switching direction which is different from the built existing world. Nevertheless, the affirmative dialectics is a double form which affirms tradition conservatively and the event as a new possibility. That is, it is to overcome overall negativity and affirms tradition and new possibilities at the same time.
KW - affirmative dialectics;duration;image;metamorphosis;symbolic forms
DO - 10.17527/JASA.48.0.04
ER -
Ji-Hyun Lee. (2016). The Affirmative Dialectics of Image. The Journal of Aesthetics and Science of Art, 48, 113-146.
Ji-Hyun Lee. 2016, "The Affirmative Dialectics of Image", The Journal of Aesthetics and Science of Art, vol.48, pp.113-146. Available from: doi:10.17527/JASA.48.0.04
Ji-Hyun Lee "The Affirmative Dialectics of Image" The Journal of Aesthetics and Science of Art 48 pp.113-146 (2016) : 113.
Ji-Hyun Lee. The Affirmative Dialectics of Image. 2016; 48 113-146. Available from: doi:10.17527/JASA.48.0.04
Ji-Hyun Lee. "The Affirmative Dialectics of Image" The Journal of Aesthetics and Science of Art 48(2016) : 113-146.doi: 10.17527/JASA.48.0.04
Ji-Hyun Lee. The Affirmative Dialectics of Image. The Journal of Aesthetics and Science of Art, 48, 113-146. doi: 10.17527/JASA.48.0.04
Ji-Hyun Lee. The Affirmative Dialectics of Image. The Journal of Aesthetics and Science of Art. 2016; 48 113-146. doi: 10.17527/JASA.48.0.04
Ji-Hyun Lee. The Affirmative Dialectics of Image. 2016; 48 113-146. Available from: doi:10.17527/JASA.48.0.04
Ji-Hyun Lee. "The Affirmative Dialectics of Image" The Journal of Aesthetics and Science of Art 48(2016) : 113-146.doi: 10.17527/JASA.48.0.04
