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Aesthetic Expressivity: Benedetto Croce’s Reading of Friedrich Schleiermacher

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2021, 62(), pp.224-238
  • DOI : 10.17527/JASA.62.0.09
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Received : December 16, 2020
  • Accepted : January 9, 2021
  • Published : February 28, 2021

Holden Kelm 1

1Berlin-Brandenburgische Akademie der Wissenschaften

Accredited

ABSTRACT

This article examines the reception of Friedrich Schleiermacher’s Lectures on Aesthetics by Benedetto Croce. As one of his few constructive critics, Croce considers Schleiermacher’s aesthetics to be the most remarkable of its entire epoch and sees in it approaches to a conception of aesthetic expressivity, which Croce founded in his Aesthetics as Science of Expression and General Linguistic with the concept of “intuitive recognition.” To answer the question of how Croce brings forth this astonishing view of Schleiermacher’s aesthetics, this article first presents the key points of Croce’s interpretation and then examines them in the light of current research, emphasizing the basic lines of Schleiermacher’s aesthetics.

Citation status

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