@article{ART002738025},
author={Jae-Joon Lee},
title={The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s},
journal={The Journal of Aesthetics and Science of Art},
issn={1229-0246},
year={2021},
volume={63},
pages={148-166},
doi={10.17527/JASA.63.0.06}
TY - JOUR
AU - Jae-Joon Lee
TI - The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s
JO - The Journal of Aesthetics and Science of Art
PY - 2021
VL - 63
IS - null
PB - 한국미학예술학회
SP - 148
EP - 166
SN - 1229-0246
AB - It is an open theoretical fact today that aesthetics are not limited to discussions on artistic creations and their appreciation. The question of who realizes the aesthetic as the ‘ which’ has become a challenge of aesthetics. It is also a part of this theoretical trend to consider the aesthetics of robots as non-humans.
With the concept of ‘sharing of the sensible’, J. Rancière thought about the ‘becoming-politicalsubjects’ of those who have no ability to rule and those who have no share, those who are denigrated as non-humans. B. Latour’s ANT, extended to ‘the politics of things’, tolerates the fluidity of the truth of knowledge and affirms the symmetrical power of non-human beings in the networks of actors including humans and non-humans.
Looking back at the historical era of robotics, the genesis of the robot in the 1920s was related both to aesthetic situations and the production of techno-scientific knowledge (robotics). The illusion of the robot as a slave labor and the materiality of the robot as a machine are articulated in non-human characteristics. Its materiality, such as metallicity, automatism, and repeatability, defines the robot as a soulless, heteronomous, vulgar, threatening, and demonic being, and the non-human characteristics re-assemble the ontological minorities into disgusting beings.
KW - actors-network;aesthetic assemblage;aesthetics of robot;disgust of machine;machine;non-human;Televox
DO - 10.17527/JASA.63.0.06
ER -
Jae-Joon Lee. (2021). The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s. The Journal of Aesthetics and Science of Art, 63, 148-166.
Jae-Joon Lee. 2021, "The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s", The Journal of Aesthetics and Science of Art, vol.63, pp.148-166. Available from: doi:10.17527/JASA.63.0.06
Jae-Joon Lee "The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s" The Journal of Aesthetics and Science of Art 63 pp.148-166 (2021) : 148.
Jae-Joon Lee. The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s. 2021; 63 148-166. Available from: doi:10.17527/JASA.63.0.06
Jae-Joon Lee. "The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s" The Journal of Aesthetics and Science of Art 63(2021) : 148-166.doi: 10.17527/JASA.63.0.06
Jae-Joon Lee. The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s. The Journal of Aesthetics and Science of Art, 63, 148-166. doi: 10.17527/JASA.63.0.06
Jae-Joon Lee. The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s. The Journal of Aesthetics and Science of Art. 2021; 63 148-166. doi: 10.17527/JASA.63.0.06
Jae-Joon Lee. The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s. 2021; 63 148-166. Available from: doi:10.17527/JASA.63.0.06
Jae-Joon Lee. "The Aesthetic Assemblage of Non-human Machines: Focusing on Robot Televox in the 1920s" The Journal of Aesthetics and Science of Art 63(2021) : 148-166.doi: 10.17527/JASA.63.0.06
