@article{ART002774817},
author={Seungbin Choi},
title={Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’},
journal={The Journal of Aesthetics and Science of Art},
issn={1229-0246},
year={2021},
volume={64},
pages={176-194},
doi={10.17527/JASA.64.0.08}
TY - JOUR
AU - Seungbin Choi
TI - Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’
JO - The Journal of Aesthetics and Science of Art
PY - 2021
VL - 64
IS - null
PB - 한국미학예술학회
SP - 176
EP - 194
SN - 1229-0246
AB - The purpose of this study is to view the problem of perception in modern digital art as a phenomenon of “hyperembodiment” and to discuss the relationship between virtual and real space, body and virtual image from a continual perspective of mutually related affective effects, and expansion body and action. Mark B. N. Hanson defines the virtual space we experience as a mixed reality that continuously interacts with reality, and views it not as virtual, but as “real,” mediated through the body and technology. Digital art reconstructs the movement of the actor’s body by transforming the digital image into a code. In this process, the body is strengthened to function as a selective organizer of information. It is ‘affectivity’ that enables changes in the body, that is, to create experiences and relationships that transcend the limitations of the body. And digital technology becomes “bodies in code” when it is combined with the body frame of actors and receivers. Therefore, Hanson discusses the action of the “bodies in code” as making the virtuality of digital images and real space perceptible, and sees that the perception of the receiver is also changed through “bodies in code.” Therefore, perception in digital art should be discussed from the point of view of the body.
KW - affection;affectivity;bodies in code;body schema;embodied human agency;perception
DO - 10.17527/JASA.64.0.08
ER -
Seungbin Choi. (2021). Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’. The Journal of Aesthetics and Science of Art, 64, 176-194.
Seungbin Choi. 2021, "Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’", The Journal of Aesthetics and Science of Art, vol.64, pp.176-194. Available from: doi:10.17527/JASA.64.0.08
Seungbin Choi "Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’" The Journal of Aesthetics and Science of Art 64 pp.176-194 (2021) : 176.
Seungbin Choi. Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’. 2021; 64 176-194. Available from: doi:10.17527/JASA.64.0.08
Seungbin Choi. "Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’" The Journal of Aesthetics and Science of Art 64(2021) : 176-194.doi: 10.17527/JASA.64.0.08
Seungbin Choi. Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’. The Journal of Aesthetics and Science of Art, 64, 176-194. doi: 10.17527/JASA.64.0.08
Seungbin Choi. Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’. The Journal of Aesthetics and Science of Art. 2021; 64 176-194. doi: 10.17527/JASA.64.0.08
Seungbin Choi. Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’. 2021; 64 176-194. Available from: doi:10.17527/JASA.64.0.08
Seungbin Choi. "Mediation of Digital Technology, Expansion of the Body: Focusing on Mark Hanson’s ‘Affectivity’ and ‘Bodies in Code’" The Journal of Aesthetics and Science of Art 64(2021) : 176-194.doi: 10.17527/JASA.64.0.08
