@article{ART002931186},
author={HAN EUI JUNG},
title={Between Tool and Partner: A Study on the Role of Mannequins in Art},
journal={The Journal of Aesthetics and Science of Art},
issn={1229-0246},
year={2023},
volume={68},
pages={6-31},
doi={10.17527/JASA.68.0.01}
TY - JOUR
AU - HAN EUI JUNG
TI - Between Tool and Partner: A Study on the Role of Mannequins in Art
JO - The Journal of Aesthetics and Science of Art
PY - 2023
VL - 68
IS - null
PB - 한국미학예술학회
SP - 6
EP - 31
SN - 1229-0246
AB - Most of the mannequins in works of art have conveyed messages of violation against social norms, dealt with taboo territory, and have been the object of disgust. Freud makes it clear that a mannequin belongs to the “uncanny,” and “ought to have remained hidden and secret, and yet comes to light.” Based on the common nature of mannequins and art, imitation and simulacra, this study asks what role mannequins play in artistic creation, and traces the fascination and disgust that mannequins evoke. Since the Renaissance, mannequins have functioned as tools in the artist’s studio, but they have not been seen in paintings depicting artists’ studios. This was because the mannequins reminded people of the mechanical properties of painting and the image of the artist as a worker. With Parisian street culture in the 19th century, mannequins were used by surrealist artists as tools to criticize product fetishism, and as materials to reveal a disturbing eroticism. The mannequins in contemporary artworks reveal the animality and cruelty inherent in humans, and are often combined with other species to become objects of disgust. The mannequins that arouse such disgust can be said to serve as actors of creation beyond simple tools or materials in the art creation process. In this case, a mannequin is not a model resembling a human being, but rather an object with mechanical properties and materiality that allows the artist to freely transform, combine, and dispose of its bodies, and can be said to be the artist’s “intimate partner.”
KW - disgust;Hans Bellmer;International Surrealist Exhibition;Jake & Dinos Chapman;lay figure;mannequin;uncanny
DO - 10.17527/JASA.68.0.01
ER -
HAN EUI JUNG. (2023). Between Tool and Partner: A Study on the Role of Mannequins in Art. The Journal of Aesthetics and Science of Art, 68, 6-31.
HAN EUI JUNG. 2023, "Between Tool and Partner: A Study on the Role of Mannequins in Art", The Journal of Aesthetics and Science of Art, vol.68, pp.6-31. Available from: doi:10.17527/JASA.68.0.01
HAN EUI JUNG "Between Tool and Partner: A Study on the Role of Mannequins in Art" The Journal of Aesthetics and Science of Art 68 pp.6-31 (2023) : 6.
HAN EUI JUNG. Between Tool and Partner: A Study on the Role of Mannequins in Art. 2023; 68 6-31. Available from: doi:10.17527/JASA.68.0.01
HAN EUI JUNG. "Between Tool and Partner: A Study on the Role of Mannequins in Art" The Journal of Aesthetics and Science of Art 68(2023) : 6-31.doi: 10.17527/JASA.68.0.01
HAN EUI JUNG. Between Tool and Partner: A Study on the Role of Mannequins in Art. The Journal of Aesthetics and Science of Art, 68, 6-31. doi: 10.17527/JASA.68.0.01
HAN EUI JUNG. Between Tool and Partner: A Study on the Role of Mannequins in Art. The Journal of Aesthetics and Science of Art. 2023; 68 6-31. doi: 10.17527/JASA.68.0.01
HAN EUI JUNG. Between Tool and Partner: A Study on the Role of Mannequins in Art. 2023; 68 6-31. Available from: doi:10.17527/JASA.68.0.01
HAN EUI JUNG. "Between Tool and Partner: A Study on the Role of Mannequins in Art" The Journal of Aesthetics and Science of Art 68(2023) : 6-31.doi: 10.17527/JASA.68.0.01