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The Ontological Role of Non-human Objects and the Mechanism of Oppression

  • The Journal of Aesthetics and Science of Art
  • Abbr : JASA
  • 2025, 75(), 8
  • Publisher : 한국미학예술학회
  • Research Area : Arts and Kinesiology > Other Arts and Kinesiology
  • Received : April 27, 2025
  • Accepted : May 18, 2025
  • Published : June 30, 2025

Myung-Bo Lee 1

1동국대학교

Accredited

ABSTRACT

This paper aims to provide a deeper examination of the relationship between oppression and liberation with an analysis of the film Dogtooth. Focusing not only on the human subject but also on the roles of non-human objects such as space, material entities, frames, language, and temporality, it seeks to reinterpret the mechanisms of oppression and liberation within the complex network of interactions among these objects. To this end, the study adopts object-oriented ontology and dark ecology as its theoretical framework. Object-oriented ontology asserts that human and non-human objects possess equal ontological status and emphasizes that oppression and liberation emerge through the entanglement of various objects beyond a human-centered perspective. Dark ecology, in turn, understands such networks not as harmonious systems but as uncertain fields where oppression and liberation, order and chaos, intersect in complex ways, thereby revealing the instability and potential ruptures within oppressive structures. With this approach, the study offers a new ontological perspective on the mechanisms of oppression and liberation and proposes that contemporary structures of oppression can also be critically re-examined through the dynamic interactions of various objects.

Citation status

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