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A Study of the Prototype Category of the Plural Marker“们(men)”in Modern Chinese: Perspectives of Animacy and Subjectification

  • The Journal of Study on Language and Culture of Korea and China
  • Abbr : JSLCKC
  • 2025, (77), pp.123~151
  • DOI : 10.16874/jslckc.2025..77.005
  • Publisher : Korean Society of Study on Chinese Languge and Culture
  • Research Area : Humanities > Chinese Language and Literature
  • Received : July 10, 2025
  • Accepted : August 20, 2025
  • Published : August 31, 2025

Chen, HuanChang 1 Choi Shinhye 2

1한세대학교 중국어학과
2강원대학교

Accredited

ABSTRACT

This study, grounded in Prototype Theory, offers a systematic analysis of the plural marker men(们) in Modern Chinese and proposes a three-tiered semantic categorization model: core, semi-peripheral, and peripheral. The analysis reveals that the distribution and usage of men are jointly influenced by animacy hierarchy and subjectification processes. Specifically, the semantic trajectory of men evolves from high animacy with low subjectivity to low animacy with high subjectivity. In the core category, men is predominantly attached to human nouns (e.g., 学生们 “students”, 朋友们 “friends”), reflecting its prototypical usage with maximal animacy and grammatical stability. The semi-peripheral category includes non-human animate nouns such as 狗们 (“dogs”) and 猫们 (“cats”), which retain moderate animacy and show increasing levels of subjectification. In the peripheral category, men attaches to plant nouns, inanimate objects, and abstract concepts (e.g., 花们 “flowers”, 书们 “books”, 瓜们 “melons”), with usage driven primarily by rhetorical effect and subjective interpretation. By mapping the semantic expansion of men along animacy and subjectivity axes, this study highlights the dynamic interaction between grammar and cognition. The findings contribute to our understanding of grammaticalization, lexical creativity, and the evolving flexibility of plural marking in Modern Chinese.

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