2006, Vol., No.17

A Study of Sopa and Sulju's life and poetry

Kim Dae-Hyun | 2006, (17) | pp.1~24 | number of Cited : 4

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The Value in Those Days and Modern Acceptance of Songgang Gasa

Kim, Shin-Chung | 2006, (17) | pp.25~41 | number of Cited : 4

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A study on Hunhwaga(獻花歌) and a legendary aspect of Surobuin(水路夫人)

Kim Eun-soo | 2006, (17) | pp.43~72 | number of Cited : 11

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A Study on Anti-Japanese Resistance Poems of Seokjeon Hwang, won

김정환 | 2006, (17) | pp.73~102 | number of Cited : 6

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Social History of Forming the Rural SHIJO[田家時調] in Seoul and Gyeonggi Area in the 17-8th Century

김창원 | 2006, (17) | pp.103~130 | number of Cited : 9

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Social History of Forming the Rural SHIJO[田家時調] in Seoul and Gyeonggi Area in the 17-8th Century The existing studies on the historical background of a rural SHIJO (a traditional Korean verse) overlook its regional characteristics. From the regional point of view, the rural SHIJOs are found across the country, but the importance of Seoul and Gyeonggi area is greater than that of other areas in terms of the number of works and writers. One of the major characteristics of the rural SHIJO in Seoul and Gyeonggi area is that its delineation focuses on the experience of independent farmers(自營農). It is a form of literature created based on the very concrete experience resulting from the cottage (BYEOLSE, 別墅) management. Under the delineations of the independent farmers and their experiences found in the rural SHIJO, there resided the power of Seoul, that is, a ‘center’. The rural SHIJO concentrates on depicting the naive sense of beauty and the rural world. SHIJO is full of romanticism, and all the independent farmers (main characters of SHIJO) exist in the romantic world called a “country”. This romantic space called as a ‘country’ is significantly different from the space of the independent farmers which local noblemen depict in poems or verses. The ‘country’ described in SHIJO exists in contrast with the Seoul which represents the culture, craving and worldly lives. At the same time, the ‘country’ also has the dualism, that is, it is ‘another Seoul in a different name’. The ‘country’ which the noblemen of Seoul described in the rural SHIJO refers to the cottage in Gyeonggi area, and this results from the fact that most of the cottages in Gyeonggi area resided at the riverside which had the developed ferries, or near a broad street which had the developed stations.

A Study on Animals and Plants in Kim, Byeong-yeon's poetry

Yeonseok Ryu , 양동식 | 2006, (17) | pp.131~161 | number of Cited : 2

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A study on the realistic tendency of Haegeum O-Dalun's Chinese poetry

Park， Se-In | 2006, (17) | pp.163~186 | number of Cited : 2

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The Conceptual Category and Research Direction of Regional Literature

박중렬 | 2006, (17) | pp.187~203 | number of Cited : 4

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The Formation of Seodongyo Folklore and Its Background of Thought

Seo, Cheolwon | 2006, (17) | pp.205~226 | number of Cited : 6

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A study on Seok-Jung Lee Jung Jick's literary life and the feature of his poem

YEE WEOL YOUNG | 2006, (17) | pp.227~257 | number of Cited : 6

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A Study on Kim Manjung′s Seopomanpil (Random Essays)

Jung,Sang-Kyun | 2006, (17) | pp.259~277 | number of Cited : 3

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A Study on the Beopjong(法宗)'s poets on the type of Japche(雜體)

조태성 | 2006, (17) | pp.279~302 | number of Cited : 4

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A characteristic of Hyangga through comparison in the form of writing expressions

최정선 | 2006, (17) | pp.303~332 | number of Cited : 2

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A characteristic of Hyangga through comparison in the form of writing expressions. Choi, Jung-sun A research about Hyangga has been accumulated almost for half-centuries. Now, it is the exact turning point that can leads a jump for another step for Hyangga. Fortunately, a new and striking research which discuss of universality and individuality of Hyangga is tired. This thesis are foused on revealing characteristic of Hyangga through by comparison in the form of writing expression that introduce Hyangga into the context of story. Research conclusion are listed up as followings. Firstly, Hyangga was a song which was accompanied by musical tunes while Japanese one was recited and read. This unique character was expressed by the words like ‘曰’, ‘云’ and ‘唱’ in compare with ‘言’, ‘詠’ in Japanses writing expressions. It's special quality of Hyangga was inherited to next following Korean poetry such as Koryokayo, Shijo, Kyounggichega, and Akjang. Secondly, writer of Hyangga who is explained in the context of Hyangga is not a actual poet alive. Therefore the expression ‘作歌曰’ rather shows and put an emphasises on the fact that the song was sung by a specific purpose and then played active and practical role. Most ancient people did believe a power of song and then they gave an authority to song. That's why they have borrowed and sang a song that would match with their personal emotions regardless of who the writer was. Finally, Hyangga covers variety aspects of functions. For example, it expresses not only personal level of missing and caring but also pathetic pray and wishes. These various practical role was represented by the words like ‘辭’and ‘詞’. Ilyon put an great effort on writing Samgukyusa especially in terms of picking a exact word and wrting expressions. By examine writing expression carefully, the specific features of Hyangga must be exposed.

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The Studies in Korean Poetry and Culture 2023 KCI Impact Factor : 0.37

2006, Vol., No.17