2014, Vol., No.34

The Korean War and Gasa

ko, Soon-Hee | 2014, (34) | pp.5~32 | number of Cited : 6

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A study on <Jikjungnok> a new Gasa work of Yi Do Hee

SA WHAE, KOO , Kim Young | 2014, (34) | pp.33~60 | number of Cited : 8

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The National Poetry Movement with Sijo during the Enlightenment Time- Focusing on Sijo in Daehanmaeilsinb

Kuk, Yun-ju | 2014, (34) | pp.61~90 | number of Cited : 5

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The main purpose of this study is to analyze the rhetorical characteristics of sijo called Sajo in Daehanmaeilsinbo. Besides, the National Poetry Movement that served as a principle of literary ideologies for these sijo works is explored to determine how the ideological principle was actually realized in sijo, especially in Daehanmaeilsinbo, during the enlightenment time. Most of all, Cheonhidangsihwa, a review based on literary ideologies that was the most systematic summary of a series of streams that advocated the improvement of vulgar popular culture involving plays, hyangyo, and songs in the then newspapers and magazines, was analyzed to divide the theories of national poetry largely into two categories: First, the national poetry is the essence of national language and should be a verse form of the Korean words and language. Second, the national poetry needs to reject literally effeminate personal emotions and preserve national superiority of poets' society on the basis of strong martialism. It has been noted that the rhetorical characteristics were maximized to reinforce the function of propaganda in that it was the most avant garde newspaper in the then national sovereignty restoration campaign. Despite the emphasis of rational education to perform the task of the times, enlightenment, it has been found that the focus was given to eliciting awareness and anger at the situations, inciting personal emotions, and structuring them into collective ones in spreading and enjoying new poems. This is a propaganda for the national poetry movement that took the lead in realizing nationalistic improvement and reform of popular and folk songs enjoyed by the then public. Readers' contributions widely accepted to incite their emotions and induce their positive sympathy as a strategy for public propaganda were analyzed. The rhetorical characteristics of readers' contributions could be found in the quotation to give intensive poetic meanings and double the effects through repetitive use of two or three key conceptual words from the original work presented by the newspaper editor and in the resultant internalization of discourse. Realization of strong martialism can also be found in embodiment of a new hero and in presentation of others and may be standardized through the methods of simplification and exaggeration based on the key characteristics of good and evil. The metaphor of a war was widely used for the strategy to differentiate others and position them as enemies as a means of condemnation. Since the year 1910, sijo has gone through new changes in its position and roles due to the changes of temporal situations and discontinuation of Daehanmaeilsinbo.

Study on the literary works associated with Jeokbyeok(赤壁, The Red Cliff) in Mt. Mudeung(無等山) area in the early Joseon Dynasty

Kim Dae-Hyun | 2014, (34) | pp.91~118 | number of Cited : 4

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The Aspiring Awareness Shown in the Translation by Hwang Yun Suk of Sijo and Its Meaning

Park Myeong Hui | 2014, (34) | pp.119~158 | number of Cited : 8

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A Study on Ecological Thoughts and Imaginations in Gang-Ho Gasa

Park, Young Ju | 2014, (34) | pp.159~188 | number of Cited : 9

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Status and Problems of Song Soon’s Poetry

BAEK SuK AH | 2014, (34) | pp.189~216 | number of Cited : 2

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This study examined the current state and prospect of research on Song Soon’s Sino‐Korean poems. Mainly with regard to previous discussions centering on gasa Myeonangjeongga (俛仰亭歌), this study reviewed the outcomes of research related to Song Soon’s Sino‐Korean poems. This is for closer inquiry into his literary world, and for this purpose, we studied previous research on Sino‐Korean poems. Previous studies largely categorized discussions on nature into three groups: first, Sino‐Korean poems written on nature; second, poems describing the manifestation of ‘Dao道’ in nature; and third, poems on pavilions and travels in nature. Besides, we reviewed studies on Song Soon’s requiems(輓詩), farewell poems, and friendship poems, which were fewer than nature poems but still occupied an important position in Song Soon’s Sino‐Korean poems. First, it was found necessary to recognize the literary meaning and aesthetic characteristic of each poem classified by theme in research on Song Soon’s Sino‐Korean poems. With regard to the manifestation of ‘Dao道’ observed in his Sino‐Korean poems on natural theme, poems in which ‘Dao道’ was manifested were mostly Sino‐Korean poems on natural themes or for social criticism and therefore there should be renewed efforts to find the meaning. For this, each Sino‐Korean poem needs to be classified by theme and its character and aesthetic consciousness need to be pointed out adequately. Next, we discussed the necessity for discussing travel poems and pavilion poems classified by theme. In addition, given insufficient discussions on poems other than nature poems such as requiems, farewell poems, and friendship poems, it is considered necessary to call people’s attention to them. Song Soon’s requiems and farewell poems have been little discussed separately so far, and occasionally they were covered together with nature poems or friendship poems. In this situation, researchers need to take interest in these types of poems and continue discussions steadily based on various materials. When these research tasks are conducted, they may achieve a reflective search for the proper understanding of trend in research on Song Soon’s Sino‐Korean poems, and enhance people’s interest in his poetry.

A Study on potential of Whajeonga as sources of Culture contents

PAIK, SUN-CHUL | 2014, (34) | pp.217~250 | number of Cited : 20

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The Process of the Formation of <CHEONGKWACHEONG>

Youn,Dug-Jin | 2014, (34) | pp.251~276 | number of Cited : 5

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A Study on the Principles of Formal structure of Sijo - Focused on Aesthetics of the Short Front-Long End and the Long Front-Short End Formations

Lee Kyoung Young | 2014, (34) | pp.277~310 | number of Cited : 4

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If we divide sijo into 6 phrases and examine its rhythm of the first and second metres, it shows mostly the short front-long end formation in the beginning and middle verses. It is statistically identified, and this short front-long end formation is judged to perform aesthetic functions as follows:First, as the center of gravity of poem is placed in the back rather than in the front, it gives stability. While the modification of adnominal phrase is mostly expressed short by being arranged in the front, verbs describing behavior are mostly placed in the back and contributes to increasing stability of the sentence. In addition to this, the short front-long end formation performs considerably significant aesthetic functions such as emphasis and completion of meaning. Performing an emphatic function in a poem is closely associated with embodiment of major images. Completion of meaning is related with unique features of verses in sijo. Although sijo verses are used like lines in free verse, it shows totally different attributes from line. It’s because the beginning, middle and last verses have a completed image first and each verse has another small meaning structure and two phrases. On the contrary, the principle of the long front-short end formation has totally different aesthetic functions from the short front-long end formation such as lingering imagery effect and arrangement of the center of poetic gravity in the front. For instance, in the case of inversion for lingering imagery, it is desirable the back part is not heavy, so we follow the principle of the long front-short end formation. In addition, it may perform aesthetics of completing change. What aesthetic effects are there in 3-sound fixity of the first phrase in the last verse and in the form of more than 5-sound? Tension and relaxation, turn effect, and setting up the key topic in the second metre may be included here. This research by no means tried to mention restoration of the number-of-letter logic about which Donam said. It served as a momentum to investigate that the aesthetics of sijo, which has been created for a very long time from ancient sijo which became the poetic object to modern sijo, has never simple but independent domain. And by making good use of this and bringing out advantages only sijo has, if it can also be quoted to the creation of sijo today, the meaning of this research would be more valuable.

Establishment and utilization method of Travel Gasa - based electronic cultural atlas

Lee, Hyungdae | 2014, (34) | pp.311~342 | number of Cited : 9

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Some Presuppositions and Aspects for Love poems developing study in Korea

CHO TAESEONG | 2014, (34) | pp.343~368 | number of Cited : 2

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Haengdang Yun Bok and Aesthetics of Narrative Poems

Choi Han Sun | 2014, (34) | pp.369~418 | number of Cited : 2

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Study for Education – Edification of Gwang-ju Fortress : around poem about Gwangju Confucian temple

Han, Yae-won | 2014, (34) | pp.419~448 | number of Cited : 1

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KJCKorea
Journal Central

The Studies in Korean Poetry and Culture 2023 KCI Impact Factor : 0.37

2014, Vol., No.34