This paper tries to newly call love songs between male and female in Jo-seon Dynasty <Yeon-jeong-ga-sa>, in contrast to the conventional definition, namely <Ae-jeong-ga-sa>. In addition, it aims to investigate the background of formation of these songs. Until now, there has been a strong assumption that these kind of songs had been written in late Dynasty, in that there has been not nearly made love songs because the Jo-seon Dynasty adopted Confucianism as a common moral and a political philosophy. However, I found that there have been 71 love songs through investigating the related books and materials which have been still available.
On the basis of above discussions, I categorized the formation background of <Yeon-jeong-ga-sa> in both early and late Jo-seon into two types. While I dealt with the general trend, that is open description of sex, in literature and art in the perspective of outside influences, I did the method of creation and narration in early love songs, and progressive emotion of female writers in the view of inside impact. Particularly, regarding the inside impact, I confirmed that <Yeon-jeong- ga-sa> was much influenced by the skill of praise in the <Mi-in-byeol -gok>, the recognization of feminism in the <Won-bu-sa> and the method of narration in the <Sa-mi-in-gok> and the <Sok-mi-in-gok>.
@article{ART001154233}, author={김팔남}, title={The Formation Background of }, journal={The Studies in Korean Poetry and Culture}, issn={2466-1759}, year={2005}, number={15}, pages={121-143}
TY - JOUR AU - 김팔남 TI - The Formation Background of JO - The Studies in Korean Poetry and Culture PY - 2005 VL - null IS - 15 PB - The Society of Korean Poetry and Culture SP - 121 EP - 143 SN - 2466-1759 AB - This paper tries to newly call love songs between male and female in Jo-seon Dynasty , in contrast to the conventional definition, namely . In addition, it aims to investigate the background of formation of these songs. Until now, there has been a strong assumption that these kind of songs had been written in late Dynasty, in that there has been not nearly made love songs because the Jo-seon Dynasty adopted Confucianism as a common moral and a political philosophy. However, I found that there have been 71 love songs through investigating the related books and materials which have been still available.
On the basis of above discussions, I categorized the formation background of in both early and late Jo-seon into two types. While I dealt with the general trend, that is open description of sex, in literature and art in the perspective of outside influences, I did the method of creation and narration in early love songs, and progressive emotion of female writers in the view of inside impact. Particularly, regarding the inside impact, I confirmed that was much influenced by the skill of praise in the , the recognization of feminism in the and the method of narration in the and the . KW - Yeon-jeong-ga-sa;love song;Jo-seon Dynasty DO - UR - ER -
김팔남. (2005). The Formation Background of . The Studies in Korean Poetry and Culture, 15, 121-143.
김팔남. 2005, "The Formation Background of ", The Studies in Korean Poetry and Culture, no.15, pp.121-143.
김팔남 "The Formation Background of " The Studies in Korean Poetry and Culture 15 pp.121-143 (2005) : 121.
김팔남. The Formation Background of . 2005; 15 : 121-143.
김팔남. "The Formation Background of " The Studies in Korean Poetry and Culture no.15(2005) : 121-143.
김팔남. The Formation Background of . The Studies in Korean Poetry and Culture, 15, 121-143.
김팔남. The Formation Background of . The Studies in Korean Poetry and Culture. 2005; 15 121-143.
김팔남. The Formation Background of . 2005; 15 : 121-143.
김팔남. "The Formation Background of " The Studies in Korean Poetry and Culture no.15(2005) : 121-143.
