@article{ART001424800},
author={Kim, Yun-hee},
title={'s creative contexts and literate features},
journal={The Studies in Korean Poetry and Culture},
issn={2466-1759},
year={2010},
number={25},
pages={73-108}
TY - JOUR
AU - Kim, Yun-hee
TI - 's creative contexts and literate features
JO - The Studies in Korean Poetry and Culture
PY - 2010
VL - null
IS - 25
PB - The Society of Korean Poetry and Culture
SP - 73
EP - 108
SN - 2466-1759
AB - This article is the first academic introduction of was created in 1732 (Yeongjo 8) by Dogok- Leeuihyeon. The literary characteristics of the original context and the meanings of poetic history are main points. In the analysis of works it is clear that this work was created by diplomic experience in the early 18th century.
So it's very crucial the recovery of make posssible the expansion of diachronic literary composition. is a recall to the Northern Territories are occupy considerable amount, intellectual effort to enhance its recognition aspects. The desire for Myung(明)‘s recovery as the main mechanism of recognition was called Myeongbunron is the mid-17th century's pattern and is also the point of discrimination. As time goes by, the exclusion and idealism of Myeongbunron were disappeared slowly. At the same time the concrete perception of Qing Dynasty(淸) is shown.
is not only reflection of current perception but also creation of a private author based on flexible literate recognition. The main characteristic is the use of literary authority. The itinerary listed the cause of the objective to prevent the severance of the aesthetic and literary inspiration, ventilation. But literary authority are working as the factors doubles literary features in the text. Finally, the in the mid-17th century was based on the spatial recognition Myeongbunron, so 'lamentable' emotions converged, while the was stressed recognition of Northern old territory and the Qing Dynasty relics era have become notable in terms of recognition and literary representations were able to discover the difference. in the 19th century is compared with in the interest about Yeongyeong's cultural landscape. In the 19th century, exotic customs and lexical representations are transformed to the very precise observations.
Thus, let us know the existence of 'Envoy's Ga-sa' and also enable extension of literate research in synchronic and dychronic field.
KW - Imja-Yeonhangbyeolgok;the 18th century;Envoy's Ga-sa;Leeuihyeon;Sino-Centralism of Choson dynasty;recognition of Northern old territory;yeongyeong representation of cultural relics;refined literature
DO -
UR -
ER -
Kim, Yun-hee. (2010). 's creative contexts and literate features. The Studies in Korean Poetry and Culture, 25, 73-108.
Kim, Yun-hee. 2010, "'s creative contexts and literate features", The Studies in Korean Poetry and Culture, no.25, pp.73-108.
Kim, Yun-hee "'s creative contexts and literate features" The Studies in Korean Poetry and Culture 25 pp.73-108 (2010) : 73.
Kim, Yun-hee. 's creative contexts and literate features. 2010; 25 : 73-108.
Kim, Yun-hee. "'s creative contexts and literate features" The Studies in Korean Poetry and Culture no.25(2010) : 73-108.
Kim, Yun-hee. 's creative contexts and literate features. The Studies in Korean Poetry and Culture, 25, 73-108.
Kim, Yun-hee. 's creative contexts and literate features. The Studies in Korean Poetry and Culture. 2010; 25 73-108.
Kim, Yun-hee. 's creative contexts and literate features. 2010; 25 : 73-108.
Kim, Yun-hee. "'s creative contexts and literate features" The Studies in Korean Poetry and Culture no.25(2010) : 73-108.