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<Imja-Yeonhangbyeolgok>'s creative contexts and literate features

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2010, (25), pp.73-108
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature

Kim, Yun-hee 1

1고려대학교

Accredited

ABSTRACT

This article is the first academic introduction of <Imja- Yeonhangbyeolgok> was created in 1732 (Yeongjo 8) by Dogok- Leeuihyeon. The literary characteristics of the original context and the meanings of poetic history are main points. In the analysis of works it is clear that this work was created by diplomic experience in the early 18th century. So it's very crucial the recovery of <Imja-Yeonhangbyeolgok> make posssible the expansion of diachronic literary composition. <Imja- Yeonhangbyeolgok> is a recall to the Northern Territories are occupy considerable amount, intellectual effort to enhance its recognition aspects. The desire for Myung(明)‘s recovery as the main mechanism of recognition was called Myeongbunron is the mid-17th century's pattern and is also the point of discrimination. As time goes by, the exclusion and idealism of Myeongbunron were disappeared slowly. At the same time the concrete perception of Qing Dynasty(淸) is shown. <Imja-Yeonhangbyeolgok> is not only reflection of current perception but also creation of a private author based on flexible literate recognition. The main characteristic is the use of literary authority. The itinerary listed the cause of the objective to prevent the severance of the aesthetic and literary inspiration, ventilation. But literary authority are working as the factors doubles literary features in the text. Finally, the <Janguga> in the mid-17th century was based on the spatial recognition Myeongbunron, so 'lamentable' emotions converged, while the <Imja-Yeonhangbyeolgok> was stressed recognition of Northern old territory and the Qing Dynasty relics era have become notable in terms of recognition and literary representations were able to discover the difference. <Mujaseohaengrok> in the 19th century is compared with <Imja-Yeonhangbyeolgok> in the interest about Yeongyeong's cultural landscape. In the 19th century, exotic customs and lexical representations are transformed to the very precise observations. Thus, <Imja-Yeonhangbyeolgok> let us know the existence of 'Envoy's Ga-sa' and also enable extension of literate research in synchronic and dychronic field.

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