@article{ART001534603},
author={RYOO HAE CHOON},
title={The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사)},
journal={The Studies in Korean Poetry and Culture},
issn={2466-1759},
year={2011},
number={27},
pages={209-232}
TY - JOUR
AU - RYOO HAE CHOON
TI - The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사)
JO - The Studies in Korean Poetry and Culture
PY - 2011
VL - null
IS - 27
PB - The Society of Korean Poetry and Culture
SP - 209
EP - 232
SN - 2466-1759
AB - The purpose of this thesis is to illuminate literary characteristics on Dosansipigok(도산십이곡) and Eobusasisa(어부사시사) in Choson Dynasty through the Creative Intension and the Rhetorical View. The signifiance on Dosansipigok(도산십이곡) and Eobusasisa(어부사시사) is that it has a lot of rheoric used to contain compressed meanings in simple rhythm and stanzas. This has a great inflence upon the development of poetic rhetoric. Nowdays the rhetoric is perceived in the indicative tool of the worldview of writer. Then the Language that man's thinking is established by is must be rhetorical, the rhetorics of poetry are two the metaphor and the metonymy, that these are the two aspects of man's thinking. Metaphor is the rhetoric of identity and it aims for the totality of the subject and object. It is the essential rhetoric on Dosansipigok(도산십이곡). In the case of Dosansipigok(도산십이곡), the subject and nature is identified in the point of emotion. On the other hands, Metonymy is the rhetoric of contiguity. It denies the identity of subject and the world. Eobusasisa(어부사시사) is founded with the rhetoric of metonymy. In the case of Eobusasisa(어부사시사), the deconstruction of images and the arrange of numerous unidentified images are the feature of metonymy and Si-Jos(시조문학). This sort of discussion needs to be popularized and continuous effort spent to elucidate the poetic principles related to the reform or change of work in Si-Jos(시조문학).
KW - Si-Jos(시조문학);Creative Intension;Rhetorical Views;Dosansipigok(도산십이곡);Eobusasisa(어부사시사);Metaphor;Metonymy
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RYOO HAE CHOON. (2011). The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사). The Studies in Korean Poetry and Culture, 27, 209-232.
RYOO HAE CHOON. 2011, "The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사)", The Studies in Korean Poetry and Culture, no.27, pp.209-232.
RYOO HAE CHOON "The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사)" The Studies in Korean Poetry and Culture 27 pp.209-232 (2011) : 209.
RYOO HAE CHOON. The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사). 2011; 27 : 209-232.
RYOO HAE CHOON. "The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사)" The Studies in Korean Poetry and Culture no.27(2011) : 209-232.
RYOO HAE CHOON. The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사). The Studies in Korean Poetry and Culture, 27, 209-232.
RYOO HAE CHOON. The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사). The Studies in Korean Poetry and Culture. 2011; 27 209-232.
RYOO HAE CHOON. The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사). 2011; 27 : 209-232.
RYOO HAE CHOON. "The Creative Intension and the Rhetorical Views in Dosansipigok(도산십이곡) and Eobusasisa(어부사시사)" The Studies in Korean Poetry and Culture no.27(2011) : 209-232.
