@article{ART002990873},
author={Seo, Cheolwon},
title={The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials},
journal={The Studies in Korean Poetry and Culture},
issn={2466-1759},
year={2023},
number={52},
pages={5-34}
TY - JOUR
AU - Seo, Cheolwon
TI - The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials
JO - The Studies in Korean Poetry and Culture
PY - 2023
VL - null
IS - 52
PB - The Society of Korean Poetry and Culture
SP - 5
EP - 34
SN - 2466-1759
AB - It is necessary to increase the proportion of 4 to 5 performances in to approach the cause of creation. Then it became clear that the poetic speaker's attitude, who was disillusioned with reality but did not hide in another world such as Cheongsan or the sea, and did not abandon reality.
Here, the image of mountains and water inherited the green forest of Hyangga or the symbol of trees and water. This is because the color of the green mountain was also the color of forests and trees. By describing the personality of the ideal type as the color of mountains and water, nature was imagined as an ideal type or an ideal direction. This perception continued to the next era, and at the same time, the characteristics of mountains and water were distinguished in affection poetry.
The reason why the scenes directed by birds and deer in the third and seventh performances seem strange is that the beings who should stay in the sky and on the ground did not. This was a situation in which the symbols of birds and fish in place favored by Confucian scholars collapsed. Through works from various periods, the possibility of this phenomenon being transformed in various ways was suggested.
This article does not focus on partially esoteric words. Instead, the lack of data was resolved through comparison with works from various eras. In this way, it was intended to shed light on the historical location of . I hope that this work's view of nature and life will be revealed in three dimensions again.
KW - Cheongsan Byeolgok;Goryeo Sokyo;Blue Mountain;Sea;Sansu;Nature;Birds and Fish in Place;History of Literary Subjects
DO -
UR -
ER -
Seo, Cheolwon. (2023). The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials. The Studies in Korean Poetry and Culture, 52, 5-34.
Seo, Cheolwon. 2023, "The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials", The Studies in Korean Poetry and Culture, no.52, pp.5-34.
Seo, Cheolwon "The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials" The Studies in Korean Poetry and Culture 52 pp.5-34 (2023) : 5.
Seo, Cheolwon. The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials. 2023; 52 : 5-34.
Seo, Cheolwon. "The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials" The Studies in Korean Poetry and Culture no.52(2023) : 5-34.
Seo, Cheolwon. The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials. The Studies in Korean Poetry and Culture, 52, 5-34.
Seo, Cheolwon. The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials. The Studies in Korean Poetry and Culture. 2023; 52 5-34.
Seo, Cheolwon. The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials. 2023; 52 : 5-34.
Seo, Cheolwon. "The composition of the three stages of Cheongsan Byeolgok and the location of the literary history of mountains and water materials" The Studies in Korean Poetry and Culture no.52(2023) : 5-34.
