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A Study of Seogwan-rok by Seokbuk Shin Gwang-su

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2026, (57), pp.111~142
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature
  • Received : January 15, 2026
  • Accepted : February 16, 2026
  • Published : February 28, 2026

choieho 1

1조선대학교 인문학연구원

Accredited

ABSTRACT

This paper examines the poetic world of Seogwan-rok (西關錄), authored by Shin Gwang-su. Seogwan-rok is a collection of poems documenting the observations and sentiments from his two journeys to the Gwanseo region in 1760 and 1761. These travels were undertaken primarily to alleviate financial hardship, and the resulting works are preserved in the second volume of his collected writings, Seokbuk-jip (石北集). As a literatus of the Namin (Southerners) faction during a period when the Noron (Old Doctrine) faction dominated the political landscape, Shin lived in persistent poverty despite achieving literary renown in his youth. Poverty was an inseparable condition of his existence, and his literary output was largely shaped through a close relationship with this economic reality. Seogwan-rok is a product of the poet’s struggle to overcome poverty, providing a realistic portrayal of the fatigue of daily life and the self-sorrow of a fallen yangban (aristocrat). Since his journey was closer to a wandering for survival than a leisurely excursion, the longing for his family and hometown is expressed with profound emotional depth. Furthermore, the tragic narratives of the historical sites he visited mirrored the poet’s own desolate situation, leading these emotions to be deeply projected into his work. In contrast, upon arriving in Pyongyang, the previous sentiments of sorrow and solitude vanish, replaced by a bright and positive tone centered on the enjoyment of arts and pungnyu (poetic flair). This shift occurred because Pyongyang was not merely a site of scenic beauty and pleasure, but a space that restored his self-esteem as a man of letters. This experience and his sense of pungnyu were later fully realized in Gwanseo-akbu (關西樂府), which he composed for Chae Je-gong.

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