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2012, Vol.25, No.3

The King Returns: the Modern Kingship in The Madness of George III
Yuna Kang | 2012, 25(3) | pp.5~23 | number of Cited : 0
The Politics and Dramatic Expression in Tom Stoppard’s Eastern Bloc Plays
Hye-Gyong Kwon | 2012, 25(3) | pp.25~51 | number of Cited : 1
The Myth and the American South in Orpheus Descending
Soim Kim | 2012, 25(3) | pp.53~80 | number of Cited : 1
Contextualizing Stoppard’s Early Plays in Relation to British Theater of the 1960s and 1970s
Heebon Park-Finch | 2012, 25(3) | pp.81~113 | number of Cited : 2
O’Neill and Harlem Renaissance: Primitivism in The Emperor Jones
Paek,Hwankie | 2012, 25(3) | pp.115~137 | number of Cited : 1
Memory, Habitus, and the ‘Time in-Between’ in Waiting for Godot
Hwayoung Yoon | 2012, 25(3) | pp.139~170 | number of Cited : 3
The Goat, or Who Is Sylvia? and Albee’s Sexual Discourse
Young-Joo Lee | 2012, 25(3) | pp.171~198 | number of Cited : 1
The Broken Mirror of Motherhood Myth: Long Day’s Journey into Night
Chae, Su-gyung | 2012, 25(3) | pp.199~225 | number of Cited : 1
BFE: Julia Cho’s Vision of an Unhomely Home for Asian Americans
정광숙 | 2012, 25(3) | pp.227~248 | number of Cited : 4