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2022, Vol.35, No.2

Rewriting The Wonderful Wizard of Oz: African American Musical Theatre and The Wiz Live!
강예린 | 2022, 35(2) | pp.5~30 | number of Cited : 0
A Study on the Causes of Failure in the Congolese Decolonization in Aimé Césaire’s A Season in the Congo
Kang, Hyeong-min | 2022, 35(2) | pp.31~54 | number of Cited : 0
Lynn Nottage’s Sweat as a Tragedy for the Ethics of the Other
Yujin Kim | 2022, 35(2) | pp.55~85 | number of Cited : 0
Where is My Home?: A Question about the Absurd Reality and the Existential Journey of Self-discovery in The Zoo Story
Jungman Park | 2022, 35(2) | pp.87~110 | number of Cited : 0
Narratives of Schizophrenia on Stage and Screen: Joe Penhall’s Some Voices
Heebon Park-Finch | 2022, 35(2) | pp.111~142 | number of Cited : 0
The Positive Property of Desire: Anti-Oedipus Desire and Deterritorialization in Terence Rattigan’s Cause Célèbre
LEE SOMIN | 2022, 35(2) | pp.143~163 | number of Cited : 0
“Put Your Hand inside My Wound”: Bodiless Corporeality in Cherríe Moraga’s Heroes and Saints
Joe, Hyorim | 2022, 35(2) | pp.165~187 | number of Cited : 0
Groups of Ten or More People (2020): The Post-COVID-19 Era, Zoom Theatre, and Shakespeare
Yuri Ji | 2022, 35(2) | pp.189~208 | number of Cited : 0
The (Im-)Possibility of Forgiveness and the Theatrical Event of Love in The Last Days of Judas Iscariot
Choi Seok Hun | 2022, 35(2) | pp.209~227 | number of Cited : 0