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2024, Vol.37, No.3

David Greig’s Dunsinane: Reconstructing the Relationship between England and Scotland in Macbeth
Kim, Yoo | 2024, 37(3) | pp.7~33 | number of Cited : 0
On the Matter of Memory in the Ontology of Performance: Performance and Its Afterlife in Jérôme Bel’s Cour d’honneur (2013)
Sim, Hakyung | 2024, 37(3) | pp.37~57 | number of Cited : 0
Sex, Violence, and Death in Sarah Kane’s Phaedra’s Love
Chang, Eunjoo | 2024, 37(3) | pp.59~86 | number of Cited : 0
Fantasy of Disembodiment and Desire for Presence: The Paradox of Cybernetics in The Nether
Cho, Yeoniee | 2024, 37(3) | pp.87~111 | number of Cited : 0
Willy’s Narrated Time and Narrative Identity in Death of a Salesman
Han, Yong-Jae | 2024, 37(3) | pp.113~141 | number of Cited : 0
Dramaturgy Across Borders: Multimedia/Transnational Medea(s) of La MaMa ETC
Shin, Dohyun | 2024, 37(3) | pp.143~172 | number of Cited : 0
Diasporic Male Melancholia in Julia Cho’s Durango
Lee, In Gyeong | 2024, 37(3) | pp.173~200 | number of Cited : 0
Staging Liminality: Transition to Womanhood in Post-Agreement Belfast in Lucy Caldwell’s Leaves
Jang, Hyesun | 2024, 37(3) | pp.201~229 | number of Cited : 0