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2025, Vol.38, No.1

Making Peace between Mortal Enemies in J.T. Rogers’ Oslo
Kang, Hyeong-min | 2025, 38(1) | pp.7~36 | number of Cited : 0
Back to Methuselah: Bernard Shaw’s Imagination about Posthumanism
Eom Tae-yong | 2025, 38(1) | pp.37~82 | number of Cited : 0
The Catastrophe of Theatre, the Theatre of Catastrophe: Rehearsing the End
Sung Hee Choi | 2025, 38(1) | pp.83~113 | number of Cited : 0
Crisis Monologues on the Small Screen: Personal and Social Alienation in Alan Bennett’s Talking Heads
Heebon Park-Finch | 2025, 38(1) | pp.115~142 | number of Cited : 0
The Audience in Peter Shaffer’s Equus: From Surveillance to Witnessing
Lee, Soohyun | 2025, 38(1) | pp.143~168 | number of Cited : 0
Letter of the Law vs. Spirit of the Law in Agatha Christie’s And Then There Were None
Yan Huang , Seunghyun Hwang | 2025, 38(1) | pp.169~196 | number of Cited : 0
To Twin in Shadow, To Twin in Fury: “Life as a tale full of sound, but signifying nothing” in Jiehae Park’s Peerless
Bensalah sihem | 2025, 38(1) | pp.197~224 | number of Cited : 0