본문 바로가기
  • Home

A Posthuman Reading of Jordan Tannahill’s Sunday in Sodom

  • Journal of Modern English Drama
  • Abbr : JMBARD
  • 2026, 39(1), pp.107~133
  • Publisher : 한국현대영미드라마학회
  • Research Area : Humanities > English Language and Literature > English Literature > Contemporary English Drama
  • Received : March 8, 2026
  • Accepted : April 11, 2026
  • Published : April 30, 2026

Choi Seok Hun 1

1서울시립대학교

Accredited

ABSTRACT

The Canadian playwright Jordan Tannahill’s one-act play Sunday in Sodom (2016) reimagines the biblical story of Sodom and Gomorrah recorded in the Book of Genesis 18-19 against the backdrop of the Iraq War (2003-2011). Drawing on the feminist philosopher Rosi Braidotti’s theory of posthumanism, the essay analyzes how Tannahill’s play challenges the classical ideal of Humanism based on reason and physical and moral perfectibility by presenting diverse, flawed characters that depend on each other for survival. On the one hand, the play foregrounds practices of care and hospitality, which is epitomized by the maternity of Edith and Sahrah. On the other hand, the devastating effect of the drone strike at the end of the play illustrates how the human fate in the 21st century is inextricably entangled with the non-human, including state-of-the-art technology and the natural environment. In conclusion, Sunday in Sodom raises pressing questions about the status and role of humanity in our inevitable interaction with the non-human in posthumanity.

Citation status

* References for papers published after 2024 are currently being built.